Please release me... No, because Enge will show you how to have fun at Eurovision...

Hello and welcome back to the blog after a short rest to regain my Light Entertainment mojo, but something today has stirred me again and its the choice of singer for this year's Eurovision and its Englebert Humperdinck... Ah, I can hear some of you moaning why him and also we won't win it now. But do we have to win it? I mean, its an entertainment show rather then the be all and end all of everything ever, ever, ever. 


To some younger viewers they would want to see an Cowell reject singing or maybe a load of reformed pop stars like Blue last year, but to me Englebert is the right choice as he is an entertainer first and foremost. A star for many years, having his own television show much like his contemporary Tom Jones back in the late sixties. Why should we be pressing to fight the good fight rather then having fun with this? To some its jingoism, the pride of the nation and I find that a load of sloblocks, it is a television programme not a warzone. Leave that stuff to Question Time and alike, there maybe questions asked if this an easy way out for the BBC of not wanting to do Eurovision. 


But they put up technical support to the host broadcaster along with the Germans, Italians, Spanish and French, plus the argument of 'Why not get the host broadcaster pay for it all?' Well, for the fact it creates money, such as a programme like Top Gear does for the BBC. Not all people may like Top Gear, but its sales pay for other programmes like Call the Midwife, the BBC's sports coverage and other entertainment shows. Money is such, that some will create itself. 


So there's nothing wrong with Enge doing this, he bring class to an already classy show. And the business we call show, there's wrong with a bit of a class act...

"And I mean that most sincerly folks..."

What is star power? We ask that all the time, but what makes a star a star? In the terms of today, a star can come from anywhere, reality television, a newsworthy event or someone with an incredible talent. Now we look upon Simon Cowell creating entertainers and singers with his shows, but his are only in a line of shows. 


Go back 25 years ago and there was the second incarnation of New Faces presented by Marti Caine, as the Wonderland documentary before Christmas last year showed, that the business that we call show can be cruel as well as good. But what about the actual people who see the acts?


The auditions were usually hidden from view to a viewing audience, with the producers and the hosts looking over the acts. In particular Hughie Green, he himself a child star who had launched Opportunity Knocks on ITV in 1956 when Associated Rediffusion made a series, then  later revived in 1964 by ABC. It was a case that Green cared about the acts who were auditioning, even giving them tips on how to improve their acts. But Green's fearsome reputation had been getting in the way of the production, with his occasional outbursts to those involved with the programme and the slow politicisation of Opportunity Knocks from what was one of ITV's popular programmes with the public made Thames Television uneasy.


Green's very own popularity with the public was undiminished, with himself being mobbed at any public appearance. The power of being one of ITV's biggest stars at that time lead him to think hat he could have total control over the programme. The format of the show was his anyway, so even he could control if he wanted it to stay with ITV. Using this he took an edition to the USSR, one to Ireland and also to Australia as well. 


But power can corrupt as well, Green know for his Right-leaning politics started to use the show to criticise the government of that time, think the power of television could have an effect on the people, the zenith of which would have to be 'Stand Up and Be Counted...' Using the opportunity, he would use his show to set out what his feelings of what Britain was becoming at that time, even putting subtitles on the screen for people to sing along at home almost like a television rally. In terms of this, it does seem a bit like the Howard Beale speech in Network, pleading for viewers to grab 1977 as their year. 


Enough was enough for Thames, even after this rant, the continuation of political comments by Green into the programme made Thames very nervous, so it was little surprise when Thames axed the show in March 1978, replacing it with The Kenny Everett Video Show to change the demographic and appealing to younger viewers. 


Green tried to bid for the London Weekday franchise in 1980, hoping that the IBA would turn it into a seven day franchise. The bid would not get off the ground, for giving a man who's opinions had become more solid in his beliefs would have been a massive shock for the IBA to do that. That the power of television had made a star and a star had used it for his own purposes... No person had done it before and not since, no matter how big they are they can have a huge fall... Fame creates, if used wisely, it can repay you... Otherwise, it can chew you up and spit you out...

Bring in the new... A look at the Midlands 1980 Franchise round

And welcome back after Christmas to the New Year, which in televisual terms means the start of new ITV franchises, well in 1982 and 1993 anyway. These are always seen as a way for ITV to regenerate and reinvigorate itself.


Such with these affairs, which saw Central bid £2000 for their franchise in 1991,  Carlton bid £43 million to win the London Weekday franchise and Thames bidding £32 million, passing the quality threshold and losing. Though TVS' bid £57.96 million and lost to Meridian's £36.5 million one. As proved this at that time could be a crap shoot, crap as in the game craps and no reference to Carlton's programming at all. 


Though this could be said to significant in the history of ITV, especially combined with political machinations as well. But the 1980 franchise round, I think is the more significant. We know the winners, but how much do we actually know about the other competitors? Their place in history may be recorded to the ages, though what exactly more could they have offered in place of the winners. Some like TVS we know through their history and record as well, but who else could have offered programming and what exactly would their structure be?


First of all, the Midlands. So ATV won the the new dual region albeit changed into Central to make sure their was a look to the new company to have seen to have changed both physically on-screen and at boardroom level to make the IBA give them the franchise, they knew that the East Midlands had to be served after being almost put aside in years previous with programmes coming from Broad Street and Elstree for the vast majority of it entertainment output. 


Plans were in place for studios to be built in Nottingham to satisfy the need for a studio complex in the East Midlands and take off the pressure on Elstree, such with this there was a long campaign to keep programming being produced at Elstree. Though with the ammount of programming reduced to a minimum of being produced there and the phasing in of the Lenton Lane Studios after being made to broadcast from Giltbrook.

"Welcome to Central..."

The two main oppositions to Central were two newly formed companies, one was Mercia Television and the other Midlands Television Limited. Mercia itself had John Fairley as its Head of News, Current Affairs and Documentries plus John Wilford as Head of Local Programmes. Both had come from Yorkshire Television to fill these positions, with Fairley later on becoming the Chief Executive of Yorkshire Television. Their aim was to take a separate East Midlands franchise, but when this did not happen they went for the dual region. With the talents of Brian Walden, Beryl Reid and Jasper Carrott on board, it seems like their angle was trying make top quality entertainment and also topline Current Affairs programming as well. Walden, the presenter of Weekend World had the experience in both broadcasting and politics   to be able to make this a possibility, at that time his star was rising in such a way that his position was vital to be able to break the ground politically. This would have been vital for any franchise to get kudos for its Current Affairs output, plus with any potential politicians as well coming upto the 1983 General Election as well meaning that any coverage could be favourable but also seen to impartial as well.

With Reid and Carrott, bringing entertainment would be the brief but serving it from both angles. Reid's more traditional line of entertainment would be good to allow variety to at least flourish within its boundaries, with more and more alternative comedy becoming the norm on screens, the variety angle with a hint of Midlands flavour would have been ideal for the company at that time, allowing for them to spread out as ATV had done into lavish productions. Rivalling what the BBC had to offer and making sure ITV would have had the edge into supporting what Thames, LWT, Yorkshire etc were making at this time. This was vital to ITV who had made sure in the early 80's that their big name signings, new talents and new programming that they worked. 

Squished in good with Paul Squires and Friends...

As far as the IBA concerned it seems the costings were not right and Mercia had not seemed to have understandable, the need for studio facilities plus also union relations making the point that two of their leading light had come from Yorkshire, where union issues had been a problem throughout the 1970's

Midlands Television seemingly had try to woo the IBA with clichés about ATV's record as a broadcasting stating they would be daring in the pursuit of excellence whilst displaying Reithian values as a broadcaster, which may have been good for some but for other this seemed a bit stiff in it style. Everyone wanted quality from a franchise holder, but this was seemingly beyond the call of duty almost like a white knight in the ITV system. Though in launching a partnership with several leading independent producers, they had an eye on the 1980's ahead and almost foreseeing Channel Four's ambitions in that way. 

The main force behind the franchise was Stuart Wilson, who had been a leading light in putting together the consortium for Yorkshire Television. Himself having become the Joint Managing Director of Yorkshire and also Assistant Managing Director of holding company Trident Television before leaving in 1977. His experience was vital to be able to have the know-how of how to run an ITV franchise, in backing him up he had Sir Robert Booth who's experience had been as Director of the Birmingham Chamber of Commerce and also Chairman of the National Exhibition Centre between 1965 and 1978 as well. The board boast the like of the writer Lord Willis, the Duke of Rutland and also Joe Gormley, at that time the President of the National Union of Mineworkers. 

But this was not to do for Midlands Television, at press conference Lord Willis who had worked    for ATV over a period of 15 years said "I would be ashamed to associate myself with a company who produced Crossroads.." But then he put ahead is plans for a new series called Auto, which would reflect the Midlands car industry and the people who worked within it.

Although the IBA would have it reservations about Crossroads and its quality, it realised that it was a winner with the viewers and having immediate change did really seem really not alienate the viewers really. Though it seems the fact that Midlands was almost preaching to the IBA that their way of doing it was wrong proved to be their biggest downfall in not getting the franchise. As we will learn in the the round for the South and South-East next, its never no good to annoy the IBA at all...

Next time, we head South with a man used to Star Maidens and a scarecrow being handed the keys to the Dream Factory...

Boggenstrovia's 11th Bit of Christmas - Baxter's Choice Cuts

Christmas, what does it mean for you? It might be the Christmas spirit, it might be the food, it might be the presents etc.. But it comes as no surprise, that the highlight of Christmas must be the Queen's Speech. But hold on, that's not the Queen...

"I never watch him..."

Stanley Baxter, what can we say about him? Well, for many years he was the highlight of Christmas both on ITV and the BBC as well. Baxter in himself was a master of comedy, but the cream of the crop had to be the Duchess of Brendagh. At that time an impression of the Queen was seen to be taking the mickey of the head of state, never referenced as such in the sketches but such was the influence of Baxter, that staff in the royal household used the the title privately. For nearly 25 years, his specials and series were as good anything and such was the influence that in 2008 when ITV made a retrospective about his shows, young comedians queued up to praise him for what influence that he had on them. Plus Baxter made new sketches for the show, serving as a reminder of what a performer he is.

The shows were made lushious by the orchestration from Alyn Ainsworth but not only that the direction of what was highly technical scenes which may involved Baxter play all the parts being filmed individually piece by piece and the skill in editing as well to stitch it together to make it look as real as possible. The set pieces especially in the Christmas shows were written wonderfully, but captured the essence of what ever movie or television programme they were taking off. A perfect example of this is Towering Quake '75 from Stanley Baxter's Christmas Box, with disaster movies being all the rage at this time, Baxter used this to be able to pull off a perfect parody of the genre. Below is the 9 minutes and 32 seconds of joy which is that, showing what a master he is.

Oh dear, what can the matter be?

All of Stanley's characters are stuck in the lavatory...

But the one sketch which get me is Stanley's Nationwide sketch, taking the process of Nationwide and giving a spin from Stanley... Enjoy and don't forget to pass that cake around the regions.... 

Getting away with it Scot-free...

Back tommorow as we arrive at the 12th and final bit of Christmas, so I do hope you can join me then...

Boggenstrovia's 10th Bit of Christmas... Consider yourself... to be lucky not to miss this...

So, BBC1 are running a campaign to make us 'feel at home' and part of their Christmas. Some of you might say 'Bah, humbug!' or 'Poppycock!' at the mention a television channel trying to inject some spirit into the festive season with it branding and positioning of it.


For so long in Britain, we have rejected this style of 'Here we are!' promotions, which are more prevalent in America with the networks over there. But its strange to think that this maybe a fallacy of broadcasting in this country, it might just be the British psyche that it doesn't represent us. Though you would be wrong in thinking this at all, it is Christmas where the selection box of stars are wheeled out to show themselves and the recognisable faces are given the chance to address the nation like kings and queens of broadcasting and entertainment.


Take for example this promotion from BBC1 at Christmas 1981, in showing that the channel isn't all about entertainment but also what else they do as well...

"All warm and Cuddly Ken..."

So we start with The Two Ronnies, the BBC's number one double act at that time. Both Ronnie Barker and Ronnie Corbett, stalwarts of the Christmas schedule by now are put first to be to recognised by all and as they were loved by nearly all at that for their shows. Such a safe pair of hands, they were asked to do the BBC's Christmas Night with the Stars. At that time the BBC's flagship programme on Christmas night, so something for all...

With appearances from the Swap Shop team, Les Dawson, Ken Dodd even the BBC news and the Tommorrow's World team, this shows the branding of the channel or maybe a more innocent age of a television station caring about its loyal viewers. 

But what about ITV? They maybe commercial, it may seem that the adverts the channel now but even they would treat Christmas as something special. In terms of the 15 companies they may have separate by each producing their own programmes, but they formed a united front when it came to Christmas presentation. Knowing full well, that in competing with the BBC, they had to make sure they were on the top of their game. 

Chas and Dave, like fish and chips... Without the fish... or the chips

The example above comes from ITV in Christmas 1982, straight off the bat comes Lennie Bennett, who earlier had help launch TSW into life. Its easy to forget that Lennie Bennett was on of ITV's biggest stars in the early 1980's with Punchlines, such was its success that be afforded   an early evening spot was treasured by most shows. 3-2-1 had that spot on Christmas Day, being able to pull in the viewers. With a bit of pre evening meal entertainment, as far as that goes, its good enough fair by either show

The programme at 7pm on Christmas Eve is a bit of a mystery really, it purpitrates to be a celebration of Music, Comedy and Dance called 'A Christmas Lantern'. I'm guessing Wayne Sleep and Roger Whittaker were involved in it somewhere, but as a presenting wrapping programme, its one to settle down and relax to. Its of its time really, being presented with the now would maybe confuse people as they are used to overnight sensations made over months and months on some reality show or other. Ok, rant over about that. But is like a trick is missed sometimes, thought I will give ITV its due for getting someone like Michael Buble to do a show for them, maybe not all is lost then. 

Though its rounded with Gary Terzza making a joke, but its the style of ITV's friendly style and also of the in-vision continuity announcer. At Christmas, they came into their own and into living rooms everywhere. With the continuity booths turned into Christmas parlours adding to the illusion of roaring fireplaces, such is the imagery which this created in people's mind. Wheither it is a simple Christmas tree or the full on lounge effect, they are able to make that powerful case of television at Christmas...

  

Boggenstrovia's 9th Bit of Christmas... Noel, noel... Born is the king of the BT Tower...

All back? Settled in? Good, now we can start again... One person can be indentified with Christmas and its not Santa Claus... His name is something so Christmassy that the Egg Nog would curdle in itself, that is Noel Edmonds. 


Noel usually to be found up the BT Tower on Christmas Day has been associated with the big day since 1984, though his first Christmas Day programme was to be found at Beaulieu with Mike Smith on duty as well. With 1985 being the launch pad for Comic Relief, in associating with live television firsts meant that Noel could always pull out something from his stocking.

Default Noel Position #75... Hand in pocket...

Once in a while though, Mr Edmonds does have it put all back onto him. Take for example, the clip above. Its the end of the Late, Late Breakfast show's run in 1983 and throughout the series Noel has been send out the Hit Squad to play pranks on people, but maybe it's time for some own back... Thanks to the BBC1 announcer who's in on the joke...

Later on in the decade, Noel started the tradition of his Christmas presents being like the BBC's Cilla and the late Sir Jimmy Savile by having people writing to his programme and Noel would turn up at a person's house, ready to give them a surprise and a present as well...

Socks? A Jumper, maybe? No, when they say go big, Noel goes big! 

Hollies... All the way!

For this gentleman who is a huge fan of the Hollies, a CD wasn't enough... How about a private concert from the band itself? In all of this, Noel can be seen to saccharin sweet with this type of thing. But you don't have to take sugar in your beverage at all, it the idea of something impossible made real which makes Noel, the master of Christmas... He might have gone from the BBC but his presents maybe on Sky now, the surprise element always can be there, but nothing says Christmas like Noel...

Or hang on...

When presenting Swap Shop, a working model of BBC1's 1980 Christmas ident was brought onto the programme to show how it worked, so Noel loves idents does he? Yes, he does... But if there's a gag involved, he's the first one to do it...

"Blast!"

After Christmas 1985, Noel decided to start 1986 with a blast... Literally... Destroying the 1985 BBC1 Christmas ident with a blunderbuss? Sacrilegious! No, not really... In which a good way to show a sense of humour by doing this, but didn't Bottom use guns? So the best comedy comes in blowing something up, so Noel, Noel... Born is the king of Christmas...

Boggenstrovia's Bits of Christmas - Number Three... Rude, Lewd and a little bit nude...

Hello again and we are at the three French Hens stage of the countdown, though who let Bridget Bardot, Audrey Tautou and Charlotte Gainsbourg in here is anyone's guess.. There comes a time of year when people like to let their hair down or in Bobby Charlton's case, his two strands... But imagine you are working making programmes all year round for people to watch, as we know though Light Entertainment is a hard business especially to get it right. So for all the staff, they need to let off some steam at the end of the year and have some fun, same goes for the performers as well.

This is where the Christmas Tape or Film, as they were originally called came into its own. As the first earliest examples are of impromptu sketches being filmed at the staff's Christmas party, usually involving a hat or a wig with some shtick of some sort. But later on more and more complicated sequences were filmed involving the stars of the time performing for the staff and even joining in with the fun. Usually the bloopers in later years were taken for out-take shows, generally the more racier stuff was kept in to appeal to the staff and every year a competition was held privately to find out who could put together the best one.

Though when journalists found a skit involving Princess Anne being interviewed by David Coleman had been edited down to make Anne say things out of context to the interview, the tapes were clamped down on more and more as practises in the broadcasting industries were changed. But contrary to belief, these tapes have not gone away, the stars maybe weary about taking part but the staff at television companies and regions still do make them for their own amusement....

Let's a look at what the boys and girls in VT got upto...

1. "Give me a shot of Enge please!"

The legendary Stewart "CUE THE ROLLER!" Morris here directing a piece for the BBC 1979 Christmas tape 'Good King Memorex' partly persuading Engelbert Humperdinck to film a piece with the girl dancers from his show for VT, but also Stewart plays along with the nature of the tape making jokes as he goes. This shows Morris at his best, in control but getting the best out the performers he worked with but also having a laugh as well. Stewart Morris could that so well, knowing that his rapore with the staff he worked with was intact to be able to produce great shots when needed, but loving the cheekyness of the whole thing as well...

2. "I don't believe it! Figgis, why have you got a party hat on?"

Richard Wilson here in full 'Only When I Laugh' mode with James Bolam as well offering good advice on the do's and dont's of Christmas lunch from a 1983 LWT Christmas Tape. Wilson known for appearing 'Only When I Laugh' at that time, acts the same way that his character does to make it sound very genuine. Its his words which make this clip, appealing to the saucy nature of production crew, the laughter from the crew says it all "We get where you are coming from..." or depending on the nature of where the wind is blowing... But seeing this doesn't make Richard Wilson of being other then being a great performer, in fact it adds to it that he can play on the naughty side and still seem believable as his character.... Even with James Bolam not even saying anything, it makes the clip funnier that they just stuck a party hat on him to get into the spirit of things...

3. "Boll-locks!"

The best of the BBC here featuring the late Sir Jimmy Savile, Angela Rippon, Richard Baker and sweary Dalek as they enjoy themselves and show their boobs or should that their goof-ups? When newsreaders are singing and dancing ten-a-penny nowadays, Richard Baker just has to put on a wig to make people laugh. Plus during a break from one of his many shows, Les Dawson treats us to a little tune on the piano but the star has to be Noel Edmonds who has a very little time to tell us what's on Swap Shop that Saturday but in such little time he makes so make goofs much to the amusement of Maggie Philbin and John Craven who are supposed to be dozing either side of him. With one familiar refrain of "Merry Christmas VT!" they know that the mistake which has just occurred will be put on tape ready for the Christmas tape that year.

4. "He's a sports PA and he went onto work for the FA..."

Finally, a musical number about working in the BBC Sports department including Suzie Quatro and her band plus a man who went onto oversee England at the World Cup, one Brian 'You work for the BBC, out you go!' Barwick. Ms Quatro plays a little ditty, installing the virtues of working in the BBC Sports department in the late 70's. Taking on everybody and everyone by the presenters and commentators seemingly not trusting the sports PA's it seems, but also footage from many far flung places such as Munich and also a cold soggy first division football ground as well. Its little wonder why the BBC didn't have any left after this or either that everything was settled with a few pints in the BBC bar... Lager 1 Malt Whiskey.. Two dozen...

So that's another aspect of Christmas wrapped up in protective foil for another time, come back on Wednesday when I'll have part four...

I have a dream! Its Ted Rogers on Family Fortunes?!

I had a dream last night, nothing new there then. But it was the nature of it which got me thinking, number one I must have been watching Challenge last night and two, it would work...

 What would? I'm hearing you saying, well the idea that I'm going to put out there maybe strange to some but to others it might get some people thinking 'Hmmm... That might work!'

 My dream was that Ted Rodgers was presenting Family Fortunes, alright it never happened in real life but it seemed to work and it seemed right somehow. It might have been the product of some many gameshows in a day, thought that got me thinking which hosts could switch shows and the show would just as good. But it did once happen though, in a Christmas edition of Sale of the Century on January 2nd 1981 it happened. Nicholas Parson was a contestant along with Tom O'Connor and Derek Batey with Steve 'Pyramid Game and voice-over man' Jones asking the questions of them. Plus Batey and Parsons appeared with Bob Monkhouse in a celebrity edition of Family Fortunes, so two examples there and also the tale I've told you about the potential swap of Monkhouse and Bruce Forsyth when Michael Grade wanted Family Fortunes for Bruce.

"Should old acquittance be forgot..."

If Ted Rogers could be taken out of 3-2-1 and put into Family Fortunes, that would mean a space there and I think that maybe Michael Barrymore or Brian Conley would be perfect choice to join Dusty, Caroline and Lynda. With their all round entertainment skills they would be able to handle anything the show would throw at them, plus the rapport with the acts as well would match the enthusiasm of the contestants. Maybe in hindsight Conley would have been the host after Rogers to take over or to refresh the show, but with Barrymore doing the show that would leave Strike It Lucky open for a new host...

Strike It Lucky is a simple format really, not saying that it is a cheap format. But in the right hands it can be done well, part of the time the format with Barrymore is him doing his act interacting with the public. First of all, Les Dennis showed his ease at doing that on Family Fortunes, so he could be my choice, though hang on  ... Maybe what about Joe Pasquale, his chance came with the revived Price is Right. His sillyness provided to put anyone at their ease, so Pasquale would go there.

Thought The Price is Right was a quandry in itself even before the late Leslie Crowther too his place in asking people to 'Come on Down!' Joe Brown, along with Russ Abbott was considered to present the show, Abbott in himself was said to have asked if he could have Bella Emberg as a hostess. So maybe Abbott though subverting the format was the was to go, something which would become commonplace in years further to come. Brown himself had been the host of Square One for Granada, but being seen as a man with a common touch getting close with people who would trust him, as the same would said for Bruce Forsyth and Joe Pasquale. 

"Come on Down!"

For The Price is Right, even through that onto into Whodunnit which had Edward Woodward and Jon Pertwee as its presenters between 1972 and 1978 which took an almost Cluedo-esue format with a panel trying to work out who committed a fictional murder as in the board game, showing that in a show a host can be interchangeable within a format. Win, Lose or Draw had three during its daytime version including Danny Baker and Bob Mills, not including Darren Day doing a 'Teen' version and Liza Tarbuck doing the 'Late' version. Its not so much that hosts can jump from one show to another, but when a format is put around a host, it fits like a glove but when watching a show just think that a host maybe have been up for other shows as well...

But how about Win, Lose or Draw? Well, why not give it a former contestant? I'm not talking about a celebrity who appeared on their but someone who was a member of the public... That man who would be king would be Johnny Vegas, he appeared on the show as an up and coming comedian but surely he would a good choice for a revived version of the show. Though as an interesting aside, Danny Baker also appeared during Bob Mills time as host, this time as a celebrity in week 5 of the 1995 series. Little is known about where executives get inspiration from for choosing a host for a show, sometime they will look upon it as maybe finding someone who's been out of the public eye to being pulled into a role or maybe coming from left field. 

Left field? What about a cockney taking on a children's quiz show? Well, Colin Nutley wanted Mike Reid to present Runaround in 1975, by thinking his firm but fair style could work with kids and it did over two spells between 1975 and 1976 before returning in 1978 to the programme's end in 1981. Though Leslie Crowther and Stan Boardman were host in the intervening years, taking it to today who could do it? There's one man for the job, the love of the quirky... Londoner... and always funny... How about Danny Baker? There's left field for you! Baker could take the items and give it his own brand of spin... But what about this for a link? Gary Crowley who filled in for Baker on his BBC London show whilst undergoing treatment, did Poparound from Central... The last time the format was put to a series, so maybe it would have come full circle in that way.

"Oh hello! I want to suck your blood, Mike..."

"Get out of it, Charlie!"

We can only theorise about what might be, but one host might be good for another's position... John Humphrys for the Generation Game anyone?

All aboard the Euro-visions express (Part Two)

So after a stop off in Spain we are ready to start our journey again in Germany, now you might think that Germany and light entertainment don't go together as bedfellows but strangely they do. With their love for Monty Python and associated shows which have been shown on various channels through out Germany, but more about trans-european shows later...
Though first of all when Robin Blamires tweeted me in response to Part One, he reminded that Noel's House Party made it to Germany for a short while. In 1994, a Germanic version broadcast on Sat. 1 presented by Thomas Gottschalk. Gottschalk himself had been on a similar career path to Noel Edmonds, radio presenter playing pop music but also he had done a entertainment show called 'Na Sowas!' which I referered to in part one. 'Na Sowas!' or roughly translated 'Well Something Like That!" was in style very like The Late Late Breakfast show. So the comparisons are there between Gottschalk and Edmonds, in which the love of live television has seen them both encompassing live stunts into their shows.
Since 1981 there has been one show which has maintained its place as Germany's number one entertainment show and that is 'Wetten Dass!' or as when it came to these shores 'You Bet!' Its format runs the same as the latter but it is live with the addition of music acts to allow the grand sets needed to be set up ready for each of the challenges. The original host and creator Frank Elsner presented the show up until 1987 when Gottschalk took over the show for five years, but took time out between late 1992 and the late 1993 and handing the show over to Wolfgang Lippert. Though Lippert only presented nine editions during this period, Gottschalk came back to present and he has stayed there ever since. But following an accident nearly one year ago which left a man a quadriplegic when one of the challenges went wrong and the show was pulled off air with Gottschalk unable to continue, he made the decision to leave the show at the end of the 2011 series on the 3rd of December because he felt he had to leave.

Gottschalk's place as Germany's number one entertainment host has been has been assured, so if you can get to see that final edition with Gottschalk of Wetten Dass on 3rd December it will be worth it for a man who has transcended his television career by even appearing in Sister Act 2, as part of Whoopi Goldberg losing a bet on the show.

Thomas Gottschalk not betting on the original host appearing...

As we move on from Germany, we enter Switzerland. Why Switzerland, what programme has come from Switzerland? Though a few have gone there... Switzerland, the home of the Golden Rose of Montreux... Through out television, the Golden Rose has been the standard for quality entertainment throughout Europe since 1961 and now takes places in Lucerne since 2004, but this was the prize all producers wanted to achieve whichever channel they were from. Over the years, Britain has had great success winning the Golden Rose and even in some years winning the silver one as well. 

From 1961 when The Black and White Minstrels won the Golden Rose through to 2003 when reality television had come into its element with Faking It winning for Channel 4. Its has been an honour to win the prize with performers of real quality taking the honour people such as Sir David Frost, Marty Feldman, Lenny Henry, The League of Gentlemen and also Kermit the Frog as well. The wide range of programming shows the depth of the British entertainment television industry between these dates with game shows, satirical shows and big entertainment spectaculars providing the winners. In 1972 when Marty Feldman's Comedy Machine won for ATV, the runner-up was The Goodies of which Tim Brook-Taylor found himself in the odd position of both writing for Feldman but also writing and performing with Bill Oddie and Graham Garden as well. Some of the shows which have won the prize have never been seen by British audiences, but in their special ways they show the best that each country has to offer for themselves. With even the prize going across the Atlantic with shows from the United States and Canada winning on many occasions, this shows that the Rose d'Or has the prestige to be able to break down barriers between American and European television.

"And now for something different... and rare.."

As such since 2004 with the categories being separated into component parts such as Arts and Specials, Music, Sitcom, Variety and even giving a prize to the best pilot programme in that year. There have been winners throughout the intervening years such as Peter Serafinowicz, The Inbetweeners, The Vicar of Dibley etc. It seems diluted as an award, though that maybe with the proliferation of some many channels out there. But if Benidorm Bastards or I Survived a Japanese Game Show makes it to air over which could be a possibility then who knows what might happen to the next generations of shows. 

From Switzerland via the medium of a huge rubber band, we are back here in the UK again. So thanks to our European cousins, shows have come over to us and we have sent shows to them. Showing surely the universal language is television and over borders come ideas, new thrills and the chance for performers to been seen in many countries as they can. But for the Gold Standard, they are all trying to achieve at the same time and that, that in itself is just special...

Here's a starter for ten...

Like many people I am often to found shouting at the television, where as they maybe not agree with what's on there. Its more then likely I'm shouting out to the answer to a question, well most of the time...

But the game or quiz show is something I've always loved, my earliest memories are of Ted Rodgers and Dusty Bin on Saturday night at my Nan and Grandad's watching 3-2-1. The show always seemed like light years away from my own life, as it proudly boasted at the start of the edition 'It's a Quiz, It's a Game, It's Fortune and  Fame!' Really, I don't know apart from the contestants who guessed Chopin and Beethoven for a question about Handel if any got the fame they wanted from it... Judging by their answers maybe infamy then anything else.

Ted Rogers cartoon not included...

Though the spirit of these shows have changed, from winning a Hi-Fi we got all the way through to Robert Kilroy-Silk asking people to shaft each other. Having said that, that sounds very creepy!

My love for questions for winning what was seemingly tat, came through the old Friday 7pm quiz spot from BBC1 and ITV. Friday represented the start of the weekend and the start of light entertainment galore. Easy on the eye the titles may have not been, but the pure content was almost like a warm lounge fire in Autumn and Winter time. In particular the one show which makes think of those times is 'Play Your Cards Right', following Brucie's move to ITV in 1978, Michael Grade looked to find Bruce a format which would work for him. So over to America and one was found, but not seemingly the one that Brucie wanted to do. His idea was to ask Bob Monkhouse to a swap deal for Family Feud, what was going to turn into Family Fortunes. Grade had bought Card Sharks to be able to make a British version of that, with some format tweaking came forth was 'Play Your Cards Right'.

"Mirror, mirror on the wall... Who's the Bruciest of them all?"

The thrill of 'Higher and Lower!' was something get excited about, the audience were encouraged to get involved in the game. This hadn't been seen by viewers before, the excitement would there in your living room on a weekly basis. On a turn of a card, a car could be won or lost. Some people might say that's random chance, but the build up to that moment was almost as thrilling as the game itself. In those few moments it was evident that Bruce Forsyth is a gameshow god, the pace, the control, the thrill of it all...

As Bob Monkhouse once in an interview, that the pause between the question and correct is the key thing of being a great gameshow host. Tension can be ramped up, the anticipation of the answer, never knowing if it will be wrong or right. We are willingly able to look on at these hosts and look at what they are doing, but not everyone can make a good gameshow host. Charm and charisma are two key factors, likeablity of the host another. This works so well with Terry Wogan, hearing his charm at work also being able to walk and talk at the same time like he did on the radio.

Hmm. I'm sure there a message in there, but I just can't work it out!

A gameshow can be key to a good schedule, but it can hold a place in people hearts for ever, all for the turn of a card...

Write-ly or wrongly...

For my sins through life and waffling about nonsense, I have been many things. Some would say I was something still, but in my 32 years I've fitted in being a disability swimmer, a football mascot, someone who's written letters to stars and television executives, a mature student who's retaken his GCSE's plus also a hospital radio DJ. Most of which I've failed at of course, but one thread has run through my life and still does and that is comedy.

The old school - Hardly inspiring isn't it?

Now, its easy to watch and pick it apart with such precision to look at the nuances of it all. From an early age I have enjoyed alternative comedy, even before maybe I fully understood it. But it was a language to get through school with that 1990 to 1995 period being dominated by Bottom of course. Not everyone would have understood it with majority looking on at East 17 or Take That as their main course of action, especially the girls. Otherwise it was football for the boys, but entertainment dominates in my mind as wanting to be a continuity announcer when I left school. Though after realising that dream had gone when I sounded like Mr Bean, never the less I turned my attention to getting into writing comedy scripts. They were just put down on A4 paper, I didn't know what it all meant most of my ideas usually would end on television not by my own hand.

"Eddie, there's people looking at us..."
"Blimey, Ritchie... You're right!"

Whether that was my luck or not I don't know, but it was never off-putting and eventually I wrote sketches that and they were sent off for appreciation to people like Danny Baker and Iain Lee, never got a reply back but by putting them out there it would show I was here and not going to go away, even showing them to other people who had a better grasp of the English language. They said they were alright but if that was just to puff me up a bit I don't know. I chose to write still by doing an article for 'Off The Telly' about a programme  I had seen on daytime on Channel 5 and for them to publish it on the site was something to behold. OK, it had needed changes both from my brother and also from others at the site. But I felt justified in what I was doing and I could feel proud that something I wrote was being read by people all over of the world.

So where's the News at One music then?

Maybe it was a case of 'Go Me!' but it felt like there was a freer spirit coming out of me and that rather then speaking words could flow forth on the page or the screen about what was going on in my mind. By this I had tickled my own funny bone and there was something to be said about it all. In terms of everything I might not be a journalist or a novelist, the expression of the word can never be any truer then something spoken by somebody.

The scripts? Well, they are hidden away for a rainy day, so who knows? The words come forth and so do the ideas...

The staff are the stars...

Since about two weeks ago I have been logging my collection of books, DVD's, VHS' and also other items which has given me a chance to look at some things I knew I had, other I didn't and some 'What was I think recording that?' moments as well. But over time there has been a trend occurring as I go, with the most of the recordings being about television naturally though with a twist. Its seems that people are always more then willing to appear in front of the camera if they have been behind it for so many years...

So I have seen the excellent Stewart Morris talking about swinging Shirley Bassey off an ship to get a good shot and then coming back and turning the air blue at him, Greg Dyke remembering about saving a sinking ship by getting a rat to help him and Paul Jackson getting caught by the fuzz with Denise Van Outen and Ray Burdis as well. 

"If you rub cream onto it Sammy, then the chaffing will go double quick..."

By all of which television likes talking about itself, but one thing which surprise me though was when watching the 'Finger' episode from Bottom was a bellboy who turns up who's just delivered Ritchie and Eddie's bags to their room at the Marvelouso Splendido Hotelo in Wolverhampton demanding a tip from Ritchie for doing so. It took two turns, well after a 'Nah, it wasn't him was it?' It was, he was Jon Plowman head comedy honcho at the BBC making a cameo in the episode and making a darned fine job of it as well. At any time the staff would have been their offices coming up with the next idea for a programme or making sure they run off like clockwork. Even those of the old school have been running off programmes such as Michael Grade's History of Variety on BBC4 and also Bill Cotton appearing in The Story of Light Entertainment as well. 

"Match.. of the day?"

When usually they would be associated with appearances on Points of View having to defend what they are putting on their channel from people who've written in using a Crayola, it must come as a relief to impart what they know to the public by explaining what they do rather then just having the public running at them screaming 'ARRRGGGHH! Taxpayers Alliance are right!' At the moment there's another furore going on about the vetting of contestants on ITV's Red or Black, seemingly they have tightened up the rules by eliminated two contestants who could also possibly sue the network now for just dumping them and finding a moral compass down the back of the sofa at Gray's Inn Road. 

Seemingly we've gone from old Uncle Bill Cotton to grab the money and run, its little wonder why old school producers put themselves out there to explain what they did in programmes, maybe lessons can be learned from these people. Because if you don't know who started it all, then who knows where it will end up...