Milking the cash, Cowell...

So its finally over, the votes have been counted and the money split between its creator and and broadcaster. All ready to start all over again next year, I'm talking about Britain's Got Talent and let me say from the start I don't watch it. Now you're saying "Well why write about then and you're only going to dismiss it anyway!"

No and I'll tell you why, the show itself is one of many in a long line of talent shows which have been produced to satisfy the audience. Like one quote from the recent 'The Unforgettable Hughie Green' when one of the contributors was talking about Opportunity Knocks and Britain's Got Talent, they said "Same meat... Different Gravy..." Which is true, all talent shows can find their roots in Opportunity Knocks, no matter how they are judged. 

Now, I was a fan of the revival of Opportunity Knocks in the mid-1980's with both Bob Monkhouse and Les Dawson who took over from him. It was seen as a response to ITV's New Faces which had come back in 1985 with Marti Caine, a previous winner of the show herself. All these shows always had an element of public involvement, it was the public who influenced which act came back the next via a postal vote on the original Opportunity Knocks. For an audience knowing that they could have an effect on a television show was massive, read for mass audiences, mass appeal and mass influence.

"We'll be... Friends to the end!"

Rosser and Davies in full effect...

New Faces from ATV devised the panel to give advice, critique the acts and pass judgement. Tony Hatch, the songwriter was a key part of the balance to tell the audience how he though he act was and was plain speaking in the way that this was offered to the acts. This was seen as a 

departure to the norm by the press, having only seen people encouraging performers. Leading eventually to call Hatch 'The Hachetman' because of this. 

But from him through Nina Myskow to Simon Cowell, they are the pantomine villains but they are essential to a programme like this, meaning they are there to say the things that maybe no else would do. Cruel, maybe.. But important never the less. The experienced professionals who have seen it all before make for the balance of judges, rather then just blocking off, they are encouraging acts to improve. The likes of Arthur Askey are a case in point, the line can run through to David Walliams today, they may seem a million miles apart in their material but they share experience. 

For the flood of people who have said about a dog act winning Britain's Got Talent over another act, let's not forget that that was only a part of variety. With all angles covered by the show, it lets itself down down by having singing and dancing acts on the programme. OK, they part of of Opportunity Knocks, but there are so many shows which deal with nowadays, that they overshadow the other acts.

Last year, Paul Burling went into the final by doing impressions, he didn't but the exposure was enough to give him a pilot show on ITV. Rarely, do any acts from the show at least break through to get something like that. In reminding people of this, it has brought impressions back into the limelight, with Very Important People on Channel Four. The quality of that series may not be that good, but it shows there is a market for that branch of showbusiness again.

Britain's Got Talent is popular, plus if it means helping out the Artistes' Benevolent Fund, it is doing job. Sometimes we need a reminder of what variety is in all its forms, even taking on a form which means that it is put into a modern day context. It won't be quick disappearing off television screens soon, but variety is the spice of life and television can always do with that...

"And I mean that most sincerly folks..."

What is star power? We ask that all the time, but what makes a star a star? In the terms of today, a star can come from anywhere, reality television, a newsworthy event or someone with an incredible talent. Now we look upon Simon Cowell creating entertainers and singers with his shows, but his are only in a line of shows. 


Go back 25 years ago and there was the second incarnation of New Faces presented by Marti Caine, as the Wonderland documentary before Christmas last year showed, that the business that we call show can be cruel as well as good. But what about the actual people who see the acts?


The auditions were usually hidden from view to a viewing audience, with the producers and the hosts looking over the acts. In particular Hughie Green, he himself a child star who had launched Opportunity Knocks on ITV in 1956 when Associated Rediffusion made a series, then  later revived in 1964 by ABC. It was a case that Green cared about the acts who were auditioning, even giving them tips on how to improve their acts. But Green's fearsome reputation had been getting in the way of the production, with his occasional outbursts to those involved with the programme and the slow politicisation of Opportunity Knocks from what was one of ITV's popular programmes with the public made Thames Television uneasy.


Green's very own popularity with the public was undiminished, with himself being mobbed at any public appearance. The power of being one of ITV's biggest stars at that time lead him to think hat he could have total control over the programme. The format of the show was his anyway, so even he could control if he wanted it to stay with ITV. Using this he took an edition to the USSR, one to Ireland and also to Australia as well. 


But power can corrupt as well, Green know for his Right-leaning politics started to use the show to criticise the government of that time, think the power of television could have an effect on the people, the zenith of which would have to be 'Stand Up and Be Counted...' Using the opportunity, he would use his show to set out what his feelings of what Britain was becoming at that time, even putting subtitles on the screen for people to sing along at home almost like a television rally. In terms of this, it does seem a bit like the Howard Beale speech in Network, pleading for viewers to grab 1977 as their year. 


Enough was enough for Thames, even after this rant, the continuation of political comments by Green into the programme made Thames very nervous, so it was little surprise when Thames axed the show in March 1978, replacing it with The Kenny Everett Video Show to change the demographic and appealing to younger viewers. 


Green tried to bid for the London Weekday franchise in 1980, hoping that the IBA would turn it into a seven day franchise. The bid would not get off the ground, for giving a man who's opinions had become more solid in his beliefs would have been a massive shock for the IBA to do that. That the power of television had made a star and a star had used it for his own purposes... No person had done it before and not since, no matter how big they are they can have a huge fall... Fame creates, if used wisely, it can repay you... Otherwise, it can chew you up and spit you out...

Boggenstrovia's 6th and 7th Bits of Christmas... Cold, damp turkey...

So here we are again after technical problems, back again with the twelve bits of Christmas and in honour of not being able to blog for a few days. This time we are talking Turkey or more like food at Christmas, as its the time of the year when we are meant to eat drink and be merry. But who can be after four days of food? You're usually laid up with the Alka-Seltzer and a gas mask after all of that.


So where can we start? How about some pre-dinner action? Fancy a drink?

"Blimey, I'm so drunk I can see an animated deer..."

Babycham, the bubbly tipple... Often found at the back of cupboards, brought out at Christmas to bring sophistication of the big day. It was often a worry that an animated deer would advertise it, what exactly was that suggesting? Two or three of these and you'll be seeing Bambi and saying "Huey... Lewis and the News.." after more of them. Along with Malibu which would be seen at this time, was it a ploy to think that we were all in some sun-kissed nirvana, rather then looking at drizzle run down a window accompanied with battleship grey skies and sleet? 

Apart from egg-nog, this ranks amongst the drink to curl a lip, but of course the ladies would advertise the more exotic fare, from Tia Maria with the sultry lady to Lorraine Chase wafting back from a week in Marbella for some Campari or even Rigsby and Joan Collins camping it up for some Cinzano. People say that that advert was more popular then the programmes of that time, but the tin foil medal has to go to Jenny Clulow... Ms Clulow, announcer on TVS had spent time advertising Contreau on the television... Wheither she had a bottle hidden under the desk, to help her get through another episode of 'The Littlest Hobo' I don't know...

And now onto the main part of the meal, there's only one Turkey we can have around here...

"Turkey..."

"Oh, stuff it! You've cost us a holiday!"

Yes, Mr Turkey... The truth goes he thought he heard the previous person's answer of 'Name something you can stuff' now from there where exactly did he get that all the answer were Turkey I don't know... Along with the Beethoven/Chopin clip which gets dragged out to show 'Ha, ha, ha! Aren't they stupid contestants' this is one which rankles with me. How exactly was he daft? He got big points for it, it could have been worse he could have dropped trousers and mooned the audience... By being 'dumb' he got smart and this clip is a goto clip for any quizshow blooper compliations, wherever you are Sir, alive or dead. I salute you for being a maverick and showing the way of others to follow.

So you've settled down after your pudding and need something to wash it down with?

How about an Avenger, Aunt Sally and a lady who's now a doctor?

"Keen bedside manner? Just as long as she warmed her thermometer!"

Arriving back not from Luton Airport, but the local cornershop Diane Keen and Una Stubbs come back to Gareth Hunt's pad for some bean shaking with Nescafe, before the Gold Blend couple jumped into bed this was class... Mike Gambit inviting two classy ladies in for coffee, now that sound like the start of a film! But no matter, because a coffee solved it all, with the aroma of the beans and that famous handshake of course. The reputation of the brand was such that Gareth was the long time face of Nescafe, but I'd much rather have him then George Clooney trying to flog frothy coffee to us, but on the opposite side, there's people who hate coffee...

Time for tea anyone? Though the post meal thing can be set off with a nice brew though, for so long the chimps would advertise PG Tips until one day birds took over. Birds, I ask you! If anything birds would remind you of custard and not tea at all... So how do you modernise PG Tips for a new age, still the monkey link? Well, you call on a woolly monkey of course and his friend Al! Now Monkey and Al had been through the ITV digital fiasco, with us thinking that another character gone for a burton, but credit to Mother, the ad agency and Comic Relief that monkey was brought back to his rightful place, advertising tea of course... This made the brand even bigger it was before, with giveaway of free woolly monkeys two Christmas' ago now. Sealing Monkey's place as one of the best characters along with the Smash Aliens and Homepride's Fred as well...So for now, I leave you with Monkey and Al and say bottoms up, thanks for being patient through these technical troubles of the past few days... And cheers!

"Gawd save 'im and all who drink from his mug!"

I have a dream! Its Ted Rogers on Family Fortunes?!

I had a dream last night, nothing new there then. But it was the nature of it which got me thinking, number one I must have been watching Challenge last night and two, it would work...

 What would? I'm hearing you saying, well the idea that I'm going to put out there maybe strange to some but to others it might get some people thinking 'Hmmm... That might work!'

 My dream was that Ted Rodgers was presenting Family Fortunes, alright it never happened in real life but it seemed to work and it seemed right somehow. It might have been the product of some many gameshows in a day, thought that got me thinking which hosts could switch shows and the show would just as good. But it did once happen though, in a Christmas edition of Sale of the Century on January 2nd 1981 it happened. Nicholas Parson was a contestant along with Tom O'Connor and Derek Batey with Steve 'Pyramid Game and voice-over man' Jones asking the questions of them. Plus Batey and Parsons appeared with Bob Monkhouse in a celebrity edition of Family Fortunes, so two examples there and also the tale I've told you about the potential swap of Monkhouse and Bruce Forsyth when Michael Grade wanted Family Fortunes for Bruce.

"Should old acquittance be forgot..."

If Ted Rogers could be taken out of 3-2-1 and put into Family Fortunes, that would mean a space there and I think that maybe Michael Barrymore or Brian Conley would be perfect choice to join Dusty, Caroline and Lynda. With their all round entertainment skills they would be able to handle anything the show would throw at them, plus the rapport with the acts as well would match the enthusiasm of the contestants. Maybe in hindsight Conley would have been the host after Rogers to take over or to refresh the show, but with Barrymore doing the show that would leave Strike It Lucky open for a new host...

Strike It Lucky is a simple format really, not saying that it is a cheap format. But in the right hands it can be done well, part of the time the format with Barrymore is him doing his act interacting with the public. First of all, Les Dennis showed his ease at doing that on Family Fortunes, so he could be my choice, though hang on  ... Maybe what about Joe Pasquale, his chance came with the revived Price is Right. His sillyness provided to put anyone at their ease, so Pasquale would go there.

Thought The Price is Right was a quandry in itself even before the late Leslie Crowther too his place in asking people to 'Come on Down!' Joe Brown, along with Russ Abbott was considered to present the show, Abbott in himself was said to have asked if he could have Bella Emberg as a hostess. So maybe Abbott though subverting the format was the was to go, something which would become commonplace in years further to come. Brown himself had been the host of Square One for Granada, but being seen as a man with a common touch getting close with people who would trust him, as the same would said for Bruce Forsyth and Joe Pasquale. 

"Come on Down!"

For The Price is Right, even through that onto into Whodunnit which had Edward Woodward and Jon Pertwee as its presenters between 1972 and 1978 which took an almost Cluedo-esue format with a panel trying to work out who committed a fictional murder as in the board game, showing that in a show a host can be interchangeable within a format. Win, Lose or Draw had three during its daytime version including Danny Baker and Bob Mills, not including Darren Day doing a 'Teen' version and Liza Tarbuck doing the 'Late' version. Its not so much that hosts can jump from one show to another, but when a format is put around a host, it fits like a glove but when watching a show just think that a host maybe have been up for other shows as well...

But how about Win, Lose or Draw? Well, why not give it a former contestant? I'm not talking about a celebrity who appeared on their but someone who was a member of the public... That man who would be king would be Johnny Vegas, he appeared on the show as an up and coming comedian but surely he would a good choice for a revived version of the show. Though as an interesting aside, Danny Baker also appeared during Bob Mills time as host, this time as a celebrity in week 5 of the 1995 series. Little is known about where executives get inspiration from for choosing a host for a show, sometime they will look upon it as maybe finding someone who's been out of the public eye to being pulled into a role or maybe coming from left field. 

Left field? What about a cockney taking on a children's quiz show? Well, Colin Nutley wanted Mike Reid to present Runaround in 1975, by thinking his firm but fair style could work with kids and it did over two spells between 1975 and 1976 before returning in 1978 to the programme's end in 1981. Though Leslie Crowther and Stan Boardman were host in the intervening years, taking it to today who could do it? There's one man for the job, the love of the quirky... Londoner... and always funny... How about Danny Baker? There's left field for you! Baker could take the items and give it his own brand of spin... But what about this for a link? Gary Crowley who filled in for Baker on his BBC London show whilst undergoing treatment, did Poparound from Central... The last time the format was put to a series, so maybe it would have come full circle in that way.

"Oh hello! I want to suck your blood, Mike..."

"Get out of it, Charlie!"

We can only theorise about what might be, but one host might be good for another's position... John Humphrys for the Generation Game anyone?

All aboard the Euro-visions express (Part Two)

So after a stop off in Spain we are ready to start our journey again in Germany, now you might think that Germany and light entertainment don't go together as bedfellows but strangely they do. With their love for Monty Python and associated shows which have been shown on various channels through out Germany, but more about trans-european shows later...
Though first of all when Robin Blamires tweeted me in response to Part One, he reminded that Noel's House Party made it to Germany for a short while. In 1994, a Germanic version broadcast on Sat. 1 presented by Thomas Gottschalk. Gottschalk himself had been on a similar career path to Noel Edmonds, radio presenter playing pop music but also he had done a entertainment show called 'Na Sowas!' which I referered to in part one. 'Na Sowas!' or roughly translated 'Well Something Like That!" was in style very like The Late Late Breakfast show. So the comparisons are there between Gottschalk and Edmonds, in which the love of live television has seen them both encompassing live stunts into their shows.
Since 1981 there has been one show which has maintained its place as Germany's number one entertainment show and that is 'Wetten Dass!' or as when it came to these shores 'You Bet!' Its format runs the same as the latter but it is live with the addition of music acts to allow the grand sets needed to be set up ready for each of the challenges. The original host and creator Frank Elsner presented the show up until 1987 when Gottschalk took over the show for five years, but took time out between late 1992 and the late 1993 and handing the show over to Wolfgang Lippert. Though Lippert only presented nine editions during this period, Gottschalk came back to present and he has stayed there ever since. But following an accident nearly one year ago which left a man a quadriplegic when one of the challenges went wrong and the show was pulled off air with Gottschalk unable to continue, he made the decision to leave the show at the end of the 2011 series on the 3rd of December because he felt he had to leave.

Gottschalk's place as Germany's number one entertainment host has been has been assured, so if you can get to see that final edition with Gottschalk of Wetten Dass on 3rd December it will be worth it for a man who has transcended his television career by even appearing in Sister Act 2, as part of Whoopi Goldberg losing a bet on the show.

Thomas Gottschalk not betting on the original host appearing...

As we move on from Germany, we enter Switzerland. Why Switzerland, what programme has come from Switzerland? Though a few have gone there... Switzerland, the home of the Golden Rose of Montreux... Through out television, the Golden Rose has been the standard for quality entertainment throughout Europe since 1961 and now takes places in Lucerne since 2004, but this was the prize all producers wanted to achieve whichever channel they were from. Over the years, Britain has had great success winning the Golden Rose and even in some years winning the silver one as well. 

From 1961 when The Black and White Minstrels won the Golden Rose through to 2003 when reality television had come into its element with Faking It winning for Channel 4. Its has been an honour to win the prize with performers of real quality taking the honour people such as Sir David Frost, Marty Feldman, Lenny Henry, The League of Gentlemen and also Kermit the Frog as well. The wide range of programming shows the depth of the British entertainment television industry between these dates with game shows, satirical shows and big entertainment spectaculars providing the winners. In 1972 when Marty Feldman's Comedy Machine won for ATV, the runner-up was The Goodies of which Tim Brook-Taylor found himself in the odd position of both writing for Feldman but also writing and performing with Bill Oddie and Graham Garden as well. Some of the shows which have won the prize have never been seen by British audiences, but in their special ways they show the best that each country has to offer for themselves. With even the prize going across the Atlantic with shows from the United States and Canada winning on many occasions, this shows that the Rose d'Or has the prestige to be able to break down barriers between American and European television.

"And now for something different... and rare.."

As such since 2004 with the categories being separated into component parts such as Arts and Specials, Music, Sitcom, Variety and even giving a prize to the best pilot programme in that year. There have been winners throughout the intervening years such as Peter Serafinowicz, The Inbetweeners, The Vicar of Dibley etc. It seems diluted as an award, though that maybe with the proliferation of some many channels out there. But if Benidorm Bastards or I Survived a Japanese Game Show makes it to air over which could be a possibility then who knows what might happen to the next generations of shows. 

From Switzerland via the medium of a huge rubber band, we are back here in the UK again. So thanks to our European cousins, shows have come over to us and we have sent shows to them. Showing surely the universal language is television and over borders come ideas, new thrills and the chance for performers to been seen in many countries as they can. But for the Gold Standard, they are all trying to achieve at the same time and that, that in itself is just special...

Dusting off the cobwebs...

So Challenge has decided in their wisdom to bring out the big guns for the Autumn meaning that they are around again to showing 3-2-1, now that Sky has taken over Challenge it means that along with Deal or No Deal coming to the channel other shows are due an airing from the same cannon.

ITV was a powerhouse of gameshows from the late 70's to the mid 90's, as such both Bruce Forsyth and Bob Monkhouse switching between the BBC and ITV during that period. I remember watching these show as a child whenever they were on and it was like another world away from my own. Apart from Play Your Cards right, which at that time and still now has the most exciting and lively start to a gameshow. For the early 80's it was big time for Brucie coming off the back off his 'Big Night', yet the tales about Michael Grade wanting what turned into Family Fortunes are available from books, the internet and other media. It felt right for Bruce, taking on that role and its success stretched throught out the 80's with revivals as well.

But many of the gameshows are forgotten now, let me lead by the hand as we go for gold or strike it rich in Boggenstrovia's Guide to shows which have been forgotten by the public...

1. "A difference of opinion here Geoffrey..."

Winner Takes All, the only gameshow to combine general knowledge and betting. Starting in 1975 with Jimmy Tarbuck at the helm until 1986, it was a strange affair to the young child who didn't know anything about betting at all. All I knew is if they got an answer right, they got a whole load of points for it. I didn't know what 10-1 was, I had heard it on World of Sport but what it actual meant was a whole different matter.

Jimmy was the man with the cash even at the start of episodes when he brought it on in a suitcase, little wonder that Securicor wasn't there to protect him with something like that. Though for Play Your Cards Right's titles, the original titles to Winner Takes All seemed like a psychotropic affair. Numbers, thousands of Tarbys and lots and lots of colours, later on the titles were a bit more calmer...

"Suited, booted and ready to go.."

In the final, two contestants would battle it out for £1000 with the winner getting the chance to get more money by coming back the next week but if they lost they would only get the £100 losers prize. So the greed was there, for the people who wanted it plus also the spangly sets. Well, a spangly curtain at the beginning for the contestants smile over in a circle, but with a spinning Yorkshire Chevron as well. Yorkshire loved the Chevron to do things in their gameshows, just to make you more scared if you weren't already scared enough of it. Poking itself around the door with a maniacal smile on its face, playing thousands of Tarbys coming towards you in your sleep...

2. "Punchlines!"

The Saturday teatime show which would be the cousin of Celebrity Squares but wouldn't write to it at Christmas. With Lennie 'TSW's Opening Show" Bennett at the helm nothing could go wrong really, by its nature all it was was making jokes to their  'Punchlines'. See what that they did there? With eight guests supplying the punchlines and to confuse the situation, they would change their boxes to confuse the contestants or put another way to make a joke sounds more rude then it already was. For three years between 1981 and 1984, even taking in an FA Cup Final appearance on the big day itself to get viewers away from the BBC. Taking in the atmosphere were Matthew Kelly and singer Rose Marie who made regular appearances through the series, with celebrity guests teaming up with a member of the public and when they got to 150 points they would win the game and the losing contestant got a Lennie Bennett doll during the first two series, a odder consolation prize I cannot think of. But after series three, they got some champagne and some glasses, so from the son of Lennie to something to drown their sorrows.

"Who'll bid me for this Gus Honeybun?"

It was another show with strange titles, not animated but in 3D. I think it was just a game by the television industry to see who could make the most lavish titles for the least money, it was a case Lennie ruled the gameshow universe for a while like all new gameshows. Whatever show was put in front of people, it was lapped up quicker then an analogical situation. I wish Challenge would put this on their schedule, maybe I'm a sadist for the show but it was good, well in my mind it was.

Two to be going on with there, it maybe strange to say that maybe a move to Freeview has saved Challenge judging by the number of people who are watching again, from the days when it shared time with The Family Channel when it first launched on Sky. But looking at the list on Wikipedia of the shows which they have shown over all that time, it reveals that a lot of shows could be shown. But its become a very British channel again, taking shows like 3-2-1 and Blankety Blank and putting them on the channel again. Something to say about it, is that they have settled in nicely and with a presence on twitter as well @ChallengeTV 

Maybe a hint or two could be sent to those who run it to put some more archive shows on there, dust off the cobwebs and give us some Punchlines!

Shame about the show...

What makes a show real? Realism or a mixture of stories with something to say? Now Shameless has reached 100 shows, it has changed drama and made a debate about how it should be. Some people may see it as chavs and naer-do-wells upto no good while other may see it as the best drama in a long time. In terms of kitchen sink drama it has pushed the boundaries to the edge, learning that the basis for its drama should be what people see everyday. Of course people don't always live on a council estate, they may live in the country or in a town, but they can recognise characters they know in a show.

But these types of dramas have always tried to hold a mirror upto the nation at various time and said "Have a good look at yourself and see what you see.." Now people may not like what they see, other may see themselves and others may start to see what they are becoming. Through films such as Kes and also Saturday Night and Sunday Morning which reflected a realism which people were crying out for in the 1960's and 1970's came through a spirit, almost akin to their own properties. As we look at the 80's for example with Alan Bleasdale's Boys from the Blackstuff, showing the situation with employment as people got laid off from jobs and had to fight to survive in the atmosphere which had been created at that time. The mantra of Yosser Hughes being 'Gissa Job' was never so true at those times.

Fast forwarding to today, Shameless fills the gap where once costume drama would have filled and the characters are as compelling as any in Dallas. For Frank Gallacher, has become an idol to some but also a clarion call to others. Through the riots recently, people were screaming about this, that and everything. It is convient to show people reclaiming their cities when they think its appropriate, but for the small person it doesn't hold much truck to them. I wouldn't say that it could be claimed that I was a chav myself but in Shameless its the need for something which exists in our minds only. The need for putting everyone in the same box, there are good and bad people out there, never I could say that in judgement I could pick everyone on either side. I might be right, I might be wrong... It might be Shameless to say, that Shameless has pushed the boundaries again...

Here's a starter for ten...

Like many people I am often to found shouting at the television, where as they maybe not agree with what's on there. Its more then likely I'm shouting out to the answer to a question, well most of the time...

But the game or quiz show is something I've always loved, my earliest memories are of Ted Rodgers and Dusty Bin on Saturday night at my Nan and Grandad's watching 3-2-1. The show always seemed like light years away from my own life, as it proudly boasted at the start of the edition 'It's a Quiz, It's a Game, It's Fortune and  Fame!' Really, I don't know apart from the contestants who guessed Chopin and Beethoven for a question about Handel if any got the fame they wanted from it... Judging by their answers maybe infamy then anything else.

Ted Rogers cartoon not included...

Though the spirit of these shows have changed, from winning a Hi-Fi we got all the way through to Robert Kilroy-Silk asking people to shaft each other. Having said that, that sounds very creepy!

My love for questions for winning what was seemingly tat, came through the old Friday 7pm quiz spot from BBC1 and ITV. Friday represented the start of the weekend and the start of light entertainment galore. Easy on the eye the titles may have not been, but the pure content was almost like a warm lounge fire in Autumn and Winter time. In particular the one show which makes think of those times is 'Play Your Cards Right', following Brucie's move to ITV in 1978, Michael Grade looked to find Bruce a format which would work for him. So over to America and one was found, but not seemingly the one that Brucie wanted to do. His idea was to ask Bob Monkhouse to a swap deal for Family Feud, what was going to turn into Family Fortunes. Grade had bought Card Sharks to be able to make a British version of that, with some format tweaking came forth was 'Play Your Cards Right'.

"Mirror, mirror on the wall... Who's the Bruciest of them all?"

The thrill of 'Higher and Lower!' was something get excited about, the audience were encouraged to get involved in the game. This hadn't been seen by viewers before, the excitement would there in your living room on a weekly basis. On a turn of a card, a car could be won or lost. Some people might say that's random chance, but the build up to that moment was almost as thrilling as the game itself. In those few moments it was evident that Bruce Forsyth is a gameshow god, the pace, the control, the thrill of it all...

As Bob Monkhouse once in an interview, that the pause between the question and correct is the key thing of being a great gameshow host. Tension can be ramped up, the anticipation of the answer, never knowing if it will be wrong or right. We are willingly able to look on at these hosts and look at what they are doing, but not everyone can make a good gameshow host. Charm and charisma are two key factors, likeablity of the host another. This works so well with Terry Wogan, hearing his charm at work also being able to walk and talk at the same time like he did on the radio.

Hmm. I'm sure there a message in there, but I just can't work it out!

A gameshow can be key to a good schedule, but it can hold a place in people hearts for ever, all for the turn of a card...

Off course you can...

Some people may question where about the quest and thirst for knowledge comes from, what makes up someone who wants to learn more and more. I will admit I've never been the most intelligent of beings, but I've always had a thirst for learning new things. After leaving school as a 16 yr old with no GCSE's this made me want to know more about the media and the industry surrounding it. Fine, I could read TV listings from a young age but I wanted to know about the companies behind the programmes and the people who made them.

Like many things nowadays, anything like this is seen in the newspapers as quirky and odd. These stories come with a 'Good for a Laugh' image, but I don't never see this as that. Since I have been tweeting I have learned more and more from various people and their knowledge of such things, where as I would have looked at a book and read now I can discuss with people about all angles of an industry set up to inform, educated and entertain us. 

Learning such information on my own seems like a little triumph for myself, knowing that I can know something that it might not be 100% right, but just the knowledge of knowing that particular fact. Then again some of the most influential people in the media and entertainment sphere have search for that knowing all their lives. By example Jeremy Beadle was supplying information to shows, Bob Monkhouse built up a huge collection of videos of shows and other items as well. We all want to be able to say 'Here's something that you don't know...' Maybe such not as pub trivia but being able to impart knowledge to other people each and every day. I read mostly reference books and autobiographies of people and have done all through my life, knowing what people have been through to get where they are today. A good true life story is as good as a fictional one, where as you could say that you couldn't make it up at all. 

By using this knowledge I can impart thing onto other people and help them in whatever I do, even by doing this and passing on little bits of knowledge to the likes of Iain Lee and Danny Baker, if they used them that was upto to them. But knowing I can provide a little bit of trivia and knowledge with what I do, it makes an audience sit up and listen. I'm not saying that I'm no memory champion as such, but when you are given a hand of cards to be able to sit in front of a television set, it'll be used to do so.

I was never going to be a world champion being able to kick a ball around, but knowing that Mickey Dolenz  

directed Metal Mickey, that's one thing I will take with me....