Boggenstrovia at the Olympics - Part One

As you may have noticed the Olympics have started in London during the past few days, no matter what your viewpoint on the games like Marmite, love or hate... No matter television has been the number one medium to see the games on and this has been shown in the remarkable viewing figures for the Opening Ceremony and also events which would not be called mainstream at all outside of the usual big sports.

Television has played a major part in the Olympics development and bringing them to the people, from using them as propaganda through to both historic and also tragic moments as well.

The first televised Olympics were in 1936, when Adolf Hitler used the games to show off his ideal society and ideal image through sport. A closed circuit television system using 180 lines was set up in association with a radio system to bring the games to over 41 different countries, two different companies Telefunken and Fernseh using different systems themselves retrospectively bringing 72 hours of live coverage to special booths set upto to allow the public to watch the events live, based in Potsdam and also Berlin, this gave the public for the first the opportunity to watch live action of the athletes competing.

But this was to backfire on Hitler, when Jessie Owens won four gold medals at the games with apparent ease. Allowing the historic footage to be captured not only live but on film as well, capturing the first of many moments in Olympic history to be replayed again and again.


With the outbreak of World War Two, the planned Olympics which were meant to take place in both Tokyo and also London were cancelled. Though in London's case they hosted the first post-war games in 1948, with the BBC covering the events zeal allowed even more coverage to be beamed to even more homes then ever before allowed live coverage to the lucky few people who had television sets at that time. It can be said that a different type of propaganda was used to persuade austerity Britain to see this great event and buy a television set, patriotic pride maybe but on television's journey in Great Britain this was another step along the way. 

The Olympics went through both the Helsinki, Melbourne and Rome games with Melbourne being the first games to allow pictures to come from the other side of the world but still on film but with a delay, the new watchword was live and live is how the public wanted to see the events of the games. With new technologies coming in such as satellite technology allowed events to be covered almost live but more live then they had been than ever before, meaning events that had happened on that very same day. The Relay 1 satellite allowed only 15-20 minutes of broadcast to take place during each of its orbits allowing European viewers to see pictures, plus as also the Telecast satellite allowed pictures to beamed to the United States but also allowed the pictures to be beamed to Relay 1 as well.

This was to be the first major Olympics were one man came to the attention of the whole of the nation and not just sports fans, one David Coleman was the main athletics commentator whose reputation as one the best commentators in Britain was made in one race. The 800 metres featuring Britain's Anne Packer, the favourite for the women's 400m. The finish itself of the 800 metres, saw packer overtake Mayvonne Dupureur of France in a thrilling finish to allow Coleman's enthusiasm to come through the screen and into living rooms to experience the event themselves. A stalwart of every Olympic Games up until his retirement after the 2000 Sydney games, his most proudest moment has to be the linking of the tragic events of the Israeli Athletes hostage situation at the 1972 Munich Games where his journalistic training came into its own, staying live with events for several hours live whilst the events unfolded and also at the memorial service for the dead athletes and the other who had died a few days later.

Such was his contribution to broadcasting that the outgoing International Olympic Committee President Juan-Antonio Samaranch presented Coleman with the Olympic Order in 2000 in recognition of his services to the Olympic ideals. There are so many other moments with David Coleman, he represents a huge part of British Olympic History in which for many people he was the voice of the Olympics.

The Mexico Olympics was another turning point for Olympic coverage and television, with Satellite technology now improved it meant that for the first time totally live coverage could happen allowing the viewing public to see the event at the same time as people in the venues themselves but more importantly that BBC 2 had started broadcasting in colour in 1967, that the fully majesty of the technicolour aspects of the Olympics could be seen such as what colour the athletic track was, how blue the water in the swimming pool was but also in the Opening Ceremony as well, in future years would allow people to the full spectacle live and direct as well.

 Coming up next time, we go to Germany, see Canada nearly go Bankrupt, America not turn up behind the Iron Curtain but Britain does and does rather well plus the USSR don't do as well and a different kind of rocket man and UFO...

What is a Musikantenstadl? Here's Andy Borg to explain...

So, it that time again once again when Germans, Austrians and the Swiss dress up and go for a night out at a Musikantenstadl. But I hear you say what is a Musikantenstadl? Well, that's what I first thought when I saw one New Year's Eve when flicking through the channel on the satellite system bored looking for something, anything to watch. As the time counted towards midnight in German, acts like Nana Mouskori and Roger Whittaker turned up to entertain the slowly inebriated audience. 

Compared to anything else I had seen this was like the Val Doonican shows of the past, but on a much bigger scale. Its so big that, the set is like one huge alpine lodge including bar serving drinks. Ok, that seemed like a one off thing but over time when ever it on, I have tuned in to see it.

With its genial host Andy Borg, a cross between Englebert Humperdinck and a yodeller, he holds the whole thing together in the face of all the acts and the audience who at any opportunity want to give the stars a bunch of flowers or chocolates to show their appreciation without even one security officer rushing in to stop them. A far cry from what would happen in this country if anyone was to do at any live programme or event.

Such is its appeal, that the show since 1981 has gone to China, Croatia, Dubai, Melbourne and Cape Town to entertain the people there. Its appeal itself is the total opposite to both The Voice and The X Factor in which performers love to perform for their audience and the range of people at such a show ranges from the very young to the very old.

But why can't this type of programme actually work even in a slimmed down version in Britain, when Val Doonican and Roger Whittaker could get large audiences at one time. Though a silent change has been happening with both Sir Tom Jones and Engelbert Humperdinck being part of competions, especially with Englebert being announced as this year's entry for Eurovision. Who handedly produces Musikantenstadl for ARD, ORF and SF. Where they maybe seen as old fashioned by some, its interesting at one time they were leading pop music into light entertainment back in the late sixties.

So maybe its time to give the golden oldies another chance, besides its not how old you are, it wheither you can still entertain...

All aboard the Euro-visions express (Part Two)

So after a stop off in Spain we are ready to start our journey again in Germany, now you might think that Germany and light entertainment don't go together as bedfellows but strangely they do. With their love for Monty Python and associated shows which have been shown on various channels through out Germany, but more about trans-european shows later...
Though first of all when Robin Blamires tweeted me in response to Part One, he reminded that Noel's House Party made it to Germany for a short while. In 1994, a Germanic version broadcast on Sat. 1 presented by Thomas Gottschalk. Gottschalk himself had been on a similar career path to Noel Edmonds, radio presenter playing pop music but also he had done a entertainment show called 'Na Sowas!' which I referered to in part one. 'Na Sowas!' or roughly translated 'Well Something Like That!" was in style very like The Late Late Breakfast show. So the comparisons are there between Gottschalk and Edmonds, in which the love of live television has seen them both encompassing live stunts into their shows.
Since 1981 there has been one show which has maintained its place as Germany's number one entertainment show and that is 'Wetten Dass!' or as when it came to these shores 'You Bet!' Its format runs the same as the latter but it is live with the addition of music acts to allow the grand sets needed to be set up ready for each of the challenges. The original host and creator Frank Elsner presented the show up until 1987 when Gottschalk took over the show for five years, but took time out between late 1992 and the late 1993 and handing the show over to Wolfgang Lippert. Though Lippert only presented nine editions during this period, Gottschalk came back to present and he has stayed there ever since. But following an accident nearly one year ago which left a man a quadriplegic when one of the challenges went wrong and the show was pulled off air with Gottschalk unable to continue, he made the decision to leave the show at the end of the 2011 series on the 3rd of December because he felt he had to leave.

Gottschalk's place as Germany's number one entertainment host has been has been assured, so if you can get to see that final edition with Gottschalk of Wetten Dass on 3rd December it will be worth it for a man who has transcended his television career by even appearing in Sister Act 2, as part of Whoopi Goldberg losing a bet on the show.

Thomas Gottschalk not betting on the original host appearing...

As we move on from Germany, we enter Switzerland. Why Switzerland, what programme has come from Switzerland? Though a few have gone there... Switzerland, the home of the Golden Rose of Montreux... Through out television, the Golden Rose has been the standard for quality entertainment throughout Europe since 1961 and now takes places in Lucerne since 2004, but this was the prize all producers wanted to achieve whichever channel they were from. Over the years, Britain has had great success winning the Golden Rose and even in some years winning the silver one as well. 

From 1961 when The Black and White Minstrels won the Golden Rose through to 2003 when reality television had come into its element with Faking It winning for Channel 4. Its has been an honour to win the prize with performers of real quality taking the honour people such as Sir David Frost, Marty Feldman, Lenny Henry, The League of Gentlemen and also Kermit the Frog as well. The wide range of programming shows the depth of the British entertainment television industry between these dates with game shows, satirical shows and big entertainment spectaculars providing the winners. In 1972 when Marty Feldman's Comedy Machine won for ATV, the runner-up was The Goodies of which Tim Brook-Taylor found himself in the odd position of both writing for Feldman but also writing and performing with Bill Oddie and Graham Garden as well. Some of the shows which have won the prize have never been seen by British audiences, but in their special ways they show the best that each country has to offer for themselves. With even the prize going across the Atlantic with shows from the United States and Canada winning on many occasions, this shows that the Rose d'Or has the prestige to be able to break down barriers between American and European television.

"And now for something different... and rare.."

As such since 2004 with the categories being separated into component parts such as Arts and Specials, Music, Sitcom, Variety and even giving a prize to the best pilot programme in that year. There have been winners throughout the intervening years such as Peter Serafinowicz, The Inbetweeners, The Vicar of Dibley etc. It seems diluted as an award, though that maybe with the proliferation of some many channels out there. But if Benidorm Bastards or I Survived a Japanese Game Show makes it to air over which could be a possibility then who knows what might happen to the next generations of shows. 

From Switzerland via the medium of a huge rubber band, we are back here in the UK again. So thanks to our European cousins, shows have come over to us and we have sent shows to them. Showing surely the universal language is television and over borders come ideas, new thrills and the chance for performers to been seen in many countries as they can. But for the Gold Standard, they are all trying to achieve at the same time and that, that in itself is just special...

A trip on the Euro-visions express... Part One

Thanks to my brother whilst watching a programme  called 'Na Sowas!' presented by German's Noel Edmonds with him tonight, he wondered about the all the programme formats which have from foreign climbs to this country and what ones we have given to the Europeans. The X Factor and Strictly Come Dancing are two nowadays as well as The Weakest Link, but there have been plenty more which have come over as friendly visitors to our shores.

"An ooh and a la-la as well.."

So we start out by going from the UK to France first of all for a programme which ventured forth in 1982 and has just announced a new presenter. Des chiffres et des lettres as it know in France came to Britain when Marcel Stellman, a Belgian record executive took the format to Yorkshire Television and thus 'Twice-Nightly Whiteley' was born. The show started in 1965, but the familar format came into being in 1972 . With the length of the round being 45 seconds rather then Countdown's 30 seconds and duels such as contestants having to complete mental arithmetic calculations in their heads plus rounds where contestants have to find nouns and proper nouns in ten letters. The appeal of the programme comes from it simplicity and the nature perusing the mental aspect of the game, being returned in over seven territories worldwide mainly in Europe.


With The Apprentice's Nick Hewer taking over from Jeff Stelling in January, its yet to be seen if the programme can stay at the peak of its popularity. But with Nick Hewer being the fourth host since Whiteley's untimely death, it has stayed the course since 2005 and with its 30th anniversary coming up in November next year, the loyal viewers will be there as usual.




From France, we move to The Nederlands now. Those who know me will know where we are going with this, Een van de acht or translated 'One out of the eight' started off on VARA Television in 1969 when Theo Uittenbogaard came up with the format, but Mies Bouwman came up the idea of a conveyor belt though this came from a German television show and wanted to incorporated into the show. Through this came the late Bill Cotton Jr. travelling to Holland seeing the format and with ITV's domination of the television ratings at the start of the early 70's thought that the format with tweaks would be good for Bruce Forsyth to present which he did until 1978 when Larry Grayson took over, but such is these formats it wasn't only the UK which took on the programme. Germany had Am laufenden Band presented by Rudi Carell which was also a direct decendent of the programme, similar to the South African, Swedish versions as well. Mainly bringing  on the members of the public and letting them compete in games to find out who would go through to the conveyor belt at the end of the programme. A simple format, maybe but always entertaining. There's something to be said, of the unique appeal to the public of seeing themselves on the screen and thinking that if the contestants can do it, so the people at home could do it better.

Dutch Courage...

Onto Spain as we find a pumpkin and a bin to put it in... Un, dos, tres... responda otra vez was the Spanish version of 3-2-1 and hence it came from there to Kirstall Road in 1978, but the original programme started in 1972 and ending in 2004 not before versions in Portugal, Germany and The Netherlands were broadcast.

Die Verflixte Sieben presented again by Rudi Carell was the German version of the show, taking on the variety aspect of the show theming very edition. As such the Dutch version incorporating the Dutch National Lottery within it meaning that it became more reason to watch the programme. Ruperta the Pumpkin in the Spanish version fills the role of Dusty Bin as such as being the show's own mascot but also as a red herring for the contestants to avoid, this is a device which serves as a role for being able to make the mascot seeming innocuous and innocent. But with its sting in the tale, causing the contestants to be cautious on their approach on what to reject as a clue. With each aspect testing the contestants with games, their knowledge being tested and also the ability to decifer the clues as well. Its puts something into the show which is seemingly lost, the element of surprise as well.

"One, Two, Three... Respond please..."

As we pull into the station for now, we have been through France to the UK, back to Holland and onto Spain... Next time, we move onto Deutschland betting on going through the place where shows go to where they are judged from across Europe with ultimate prize on show...

Hire and higher...

Whilst listening to Danny Baker this morning talking about television repairmen this morning, it provoked a thought. Some of you might say 'What a first one in years?' But it begs the question, is the box the corner just like a chair?

In our family we were a renting family for many years from Radio Rentals, until a win on the pools got us a brand new Goldstar television set (Goldstar? Nah, me neither...) thought that for me was the last of the television sets which were a portal to world away from my own and rather a bit of furniture. Nostalgia maybe rose tinted but there was always a thrill of a set looking like it was carved rather then just being moulded from plastic, plus it gave something to the viewing experience. Can you imagine watching Brucie and the Generation Game on what is amount to an ice cream tub?

"Thunderbird Seven is go!"

The set itself way before FST, Fasttext was a rudimentry affair it seemed. Though the workings needed a gentle touch from a repairman with the valves inside or a good old whack on the side whenever the vertical hold went,
take for instance my grandparents had a repairman who was local to them in Cosham called Mr Head, he would come out brown jacketed and booted to twiddle with knobs and recalibrate the set. But it was a skill to be able to this, with proper workshops and tools which seemed they were from the Soviet Union. A set could be gone for ages whilst it was repaired, but it made the love for the set grow even stronger like a child going into hospital.

"Good wood?"

"Balsa!"

"No, its true!"

My first set me and my brother had was an old Pye set high up on a wardrobe, until it let out a puff of smoke telling us that it was knackered. But that set had seen everything, watching The Muppets, the launch of Breakfast Television, the launch of Channel 4. It was a friend to me and I got over it, we got a new set to replace but in this age of widescreen when I see a set like the Pye Colourmaster, it gives me a warm glow. Overall, with televisions today I would always take HD and stereo sound. But the thrill cannot match getting a new set from Radio Rentals, it might seem like a joke to have set with 'Supersound' years before a full stereo service but those touches made it for me, even Danny Baker reminded people that he had a set with a hue button to be able get the skin tone right by increasing the browness or blueness. These quirks are what make greats sets great, the clunk of the buttons as you switch it over, even with a Grundig set we he, there was that ability to tune it in yourself without any micro technology to do it for you and you knew you had done it.

To some, looking at old sets maybe boring, but think how far we've come from the early days of a disc spinning around to create a picture. The love of an old set is something, but nuturing them like a classic car is another thing...

 Pure sets machine...

Needle and Fred...

One person who has been ever present on the television is Fred Dinenage...

For Fred, he has been broadcasting to the south since 1964 now and is the main lead anchor for Meridian on their nightly news programme. But most people think of him of stand-in World of Sport anchor when Dickie had a dicky tummy or either that the light relief on 'How?' I don't think of him like that, he has been a part of the south's life since 1984 when he took over the anchor's seat and joining him Fern Britton from the Breakfast Time sofa.

ITV like their familiar faces as do the BBC, which such giants as Bob 'Sky Price is Right' Warman and Nick 'Midweek Sports Special' Owen as opposite anchors in the Midlands. But these faces are almost like a comfy dressing gown to wear after a hard day, we go to them to tell us what's going on and what's happening in the regions.

Suited and booted...

For instance in the Yorks and Lincs area is Peter Levy, an ex-radio DJ who moved into local television rising to become the main anchor broadcasting from Hull each night. But its his banter with Look North Yorkshire's weatherman Paul Hudson which makes it riveting viewing as the social medium of Twitter is being used to see what each other is doing and such they make almost salacious comments towards each other each night. Their twitter feeds are @peter_levy and @Hudsonweather

A warm front each evening....

They have been working together for such a long time, so it makes it OK but its almost edge of the seat stuff to see how far they can push it each night. So thanks to the world of satellite we are able to see these faces at work and thanks to the regions we are able to see a window on the world...