Showing posts with label fact me till I fart. Show all posts
Showing posts with label fact me till I fart. Show all posts

Sunday, 1 January 2012

Bring in the new... A look at the Midlands 1980 Franchise round

And welcome back after Christmas to the New Year, which in televisual terms means the start of new ITV franchises, well in 1982 and 1993 anyway. These are always seen as a way for ITV to regenerate and reinvigorate itself.


Such with these affairs, which saw Central bid £2000 for their franchise in 1991,  Carlton bid £43 million to win the London Weekday franchise and Thames bidding £32 million, passing the quality threshold and losing. Though TVS' bid £57.96 million and lost to Meridian's £36.5 million one. As proved this at that time could be a crap shoot, crap as in the game craps and no reference to Carlton's programming at all. 


Though this could be said to significant in the history of ITV, especially combined with political machinations as well. But the 1980 franchise round, I think is the more significant. We know the winners, but how much do we actually know about the other competitors? Their place in history may be recorded to the ages, though what exactly more could they have offered in place of the winners. Some like TVS we know through their history and record as well, but who else could have offered programming and what exactly would their structure be?


First of all, the Midlands. So ATV won the the new dual region albeit changed into Central to make sure their was a look to the new company to have seen to have changed both physically on-screen and at boardroom level to make the IBA give them the franchise, they knew that the East Midlands had to be served after being almost put aside in years previous with programmes coming from Broad Street and Elstree for the vast majority of it entertainment output. 


Plans were in place for studios to be built in Nottingham to satisfy the need for a studio complex in the East Midlands and take off the pressure on Elstree, such with this there was a long campaign to keep programming being produced at Elstree. Though with the ammount of programming reduced to a minimum of being produced there and the phasing in of the Lenton Lane Studios after being made to broadcast from Giltbrook.


"Welcome to Central..."

The two main oppositions to Central were two newly formed companies, one was Mercia Television and the other Midlands Television Limited. Mercia itself had John Fairley as its Head of News, Current Affairs and Documentries plus John Wilford as Head of Local Programmes. Both had come from Yorkshire Television to fill these positions, with Fairley later on becoming the Chief Executive of Yorkshire Television. Their aim was to take a separate East Midlands franchise, but when this did not happen they went for the dual region. With the talents of Brian Walden, Beryl Reid and Jasper Carrott on board, it seems like their angle was trying make top quality entertainment and also topline Current Affairs programming as well. Walden, the presenter of Weekend World had the experience in both broadcasting and politics   to be able to make this a possibility, at that time his star was rising in such a way that his position was vital to be able to break the ground politically. This would have been vital for any franchise to get kudos for its Current Affairs output, plus with any potential politicians as well coming upto the 1983 General Election as well meaning that any coverage could be favourable but also seen to impartial as well.

With Reid and Carrott, bringing entertainment would be the brief but serving it from both angles. Reid's more traditional line of entertainment would be good to allow variety to at least flourish within its boundaries, with more and more alternative comedy becoming the norm on screens, the variety angle with a hint of Midlands flavour would have been ideal for the company at that time, allowing for them to spread out as ATV had done into lavish productions. Rivalling what the BBC had to offer and making sure ITV would have had the edge into supporting what Thames, LWT, Yorkshire etc were making at this time. This was vital to ITV who had made sure in the early 80's that their big name signings, new talents and new programming that they worked. 

Squished in good with Paul Squires and Friends...

As far as the IBA concerned it seems the costings were not right and Mercia had not seemed to have understandable, the need for studio facilities plus also union relations making the point that two of their leading light had come from Yorkshire, where union issues had been a problem throughout the 1970's

Midlands Television seemingly had try to woo the IBA with clichés about ATV's record as a broadcasting stating they would be daring in the pursuit of excellence whilst displaying Reithian values as a broadcaster, which may have been good for some but for other this seemed a bit stiff in it style. Everyone wanted quality from a franchise holder, but this was seemingly beyond the call of duty almost like a white knight in the ITV system. Though in launching a partnership with several leading independent producers, they had an eye on the 1980's ahead and almost foreseeing Channel Four's ambitions in that way. 

The main force behind the franchise was Stuart Wilson, who had been a leading light in putting together the consortium for Yorkshire Television. Himself having become the Joint Managing Director of Yorkshire and also Assistant Managing Director of holding company Trident Television before leaving in 1977. His experience was vital to be able to have the know-how of how to run an ITV franchise, in backing him up he had Sir Robert Booth who's experience had been as Director of the Birmingham Chamber of Commerce and also Chairman of the National Exhibition Centre between 1965 and 1978 as well. The board boast the like of the writer Lord Willis, the Duke of Rutland and also Joe Gormley, at that time the President of the National Union of Mineworkers. 

But this was not to do for Midlands Television, at press conference Lord Willis who had worked    for ATV over a period of 15 years said "I would be ashamed to associate myself with a company who produced Crossroads.." But then he put ahead is plans for a new series called Auto, which would reflect the Midlands car industry and the people who worked within it.

Although the IBA would have it reservations about Crossroads and its quality, it realised that it was a winner with the viewers and having immediate change did really seem really not alienate the viewers really. Though it seems the fact that Midlands was almost preaching to the IBA that their way of doing it was wrong proved to be their biggest downfall in not getting the franchise. As we will learn in the the round for the South and South-East next, its never no good to annoy the IBA at all...

Next time, we head South with a man used to Star Maidens and a scarecrow being handed the keys to the Dream Factory...

Tuesday, 13 December 2011

Boggenstrovia's 9th Bit of Christmas... Noel, noel... Born is the king of the BT Tower...

All back? Settled in? Good, now we can start again... One person can be indentified with Christmas and its not Santa Claus... His name is something so Christmassy that the Egg Nog would curdle in itself, that is Noel Edmonds. 


Noel usually to be found up the BT Tower on Christmas Day has been associated with the big day since 1984, though his first Christmas Day programme was to be found at Beaulieu with Mike Smith on duty as well. With 1985 being the launch pad for Comic Relief, in associating with live television firsts meant that Noel could always pull out something from his stocking.


Default Noel Position #75... Hand in pocket...

Once in a while though, Mr Edmonds does have it put all back onto him. Take for example, the clip above. Its the end of the Late, Late Breakfast show's run in 1983 and throughout the series Noel has been send out the Hit Squad to play pranks on people, but maybe it's time for some own back... Thanks to the BBC1 announcer who's in on the joke...

Later on in the decade, Noel started the tradition of his Christmas presents being like the BBC's Cilla and the late Sir Jimmy Savile by having people writing to his programme and Noel would turn up at a person's house, ready to give them a surprise and a present as well...

Socks? A Jumper, maybe? No, when they say go big, Noel goes big! 

Hollies... All the way!

For this gentleman who is a huge fan of the Hollies, a CD wasn't enough... How about a private concert from the band itself? In all of this, Noel can be seen to saccharin sweet with this type of thing. But you don't have to take sugar in your beverage at all, it the idea of something impossible made real which makes Noel, the master of Christmas... He might have gone from the BBC but his presents maybe on Sky now, the surprise element always can be there, but nothing says Christmas like Noel...

Or hang on...

When presenting Swap Shop, a working model of BBC1's 1980 Christmas ident was brought onto the programme to show how it worked, so Noel loves idents does he? Yes, he does... But if there's a gag involved, he's the first one to do it...

"Blast!"

After Christmas 1985, Noel decided to start 1986 with a blast... Literally... Destroying the 1985 BBC1 Christmas ident with a blunderbuss? Sacrilegious! No, not really... In which a good way to show a sense of humour by doing this, but didn't Bottom use guns? So the best comedy comes in blowing something up, so Noel, Noel... Born is the king of Christmas...

Sunday, 30 October 2011

Dead air is not a crime if there's something in it...

We think that only since 17th January 1983 television has been getting up early each morning to bring a serving of breakfast to the bleary-eyed viewing public or it does seem that this is the date which is remembered by the average viewer. Throughout its 75 years television has been early to rise and late to bed, it only takes a special occasion for it rise from its slumber.

Contry to this the tea and toast is pulled out on several occasions before Frank Bough welcomed the world to Breakfast Time, well he should know... He was on of the faces on the early shift years before the leather sofas were introduced to BBC1. During 1968 owing to the time difference between the UK and Mexico where the Olympics were being held that autumn, the BBC had to mount a breakfast service to cover the events as they happened from Mexico City and also again for the 1984 and 1988 Olympics as well.


" *whispers* And what you don't realise Debbie, he's going to go onto Wogan in a turquoise shellsuit.."

For the time difference between the Americas and this country meant also that the lunar landings in 1969 took place in the middle of the night allowing BBC and ITV to extend their hours, before 1972 permission was needed especially for ITV to be able to broadcast outside their hours which were limited at that time. There was racing and other events which meant the rules could be relaxed for special events then need for them to be covered was some what important.

Of the two royal weddings in 1973 and 1981, both channels opened for business early on both days with in 1973 when at that time because of the three-day week hours were held even tighter then usual thought BBC started at 7.30am and ITV an hour later. When it came to the big day in 1981 BBC started with two cartoons at 7am and ITV at
7.30am began their build-up, even BBC2 joined in at 9.45am with coverage with subtitles for the deaf which showed the versatility of the second channel. These programmes were long affairs, not like the marriages themselves! They would start off at breakfast time and go off the air at the start of the afternoon, meaning that hours and hours of coverage could be shown and with only three channels if you didn't like the pomp and circumstance you had little escape from the day on television.

This all happened before a time when the radio ruled in the morning with Radios One and Two in its infancy, it no doubt that television at this time was something new and different. Though whether that matter to the mothers and fathers going about their business of a morning is a different matter, maybe for the younger viewer this had an effect on.

General elections are another exception to the rule, with coverage starting the night before usually at 10pm when the polls closed. For most of the elections upto the 1980's the pattern would be a closedown about 4am ready to come on again at 7am the next day and for the host, on the BBC, a Dimbleby to catch some sleep with also Cliff Mitchelmore and Alistair Burnet as filling the chair for auntie. By the time of breakfast television which took on the early programmes role for general elections, this was seen the last bastion of television making special apperances before when it usually started up, but the late closedown was still there and one day in 1985 made sure that it was a very late night closedown.



"Yummy! I love a Walls Ice Cream brick!"


With Live Aid which had started at 12pm London time on the 13th July, the concert in the UK was done by 10pm but with also it taking place in America, the time difference for it to be shown on American network television and over here meant that BBC1 had to go into the early hours, but when the importance of such an occasion was realised by Michael Grade, he gave his blessing for this to happen and give over time to the American concert when realising the quality of the acts at the Philadelphia concert. By not wanting to annoy any of the music fans who had tuned in from the start, it was a wise move and thus BBC1 closed down at 4am on Sunday morning. Really with it being a Sunday in the middle of summer, it didn't really matter if BBC1 opened up at about 10am on the Sunday, before the days of 24-hour television it didn't really matter as much as the same with most of the other early starts and late close downs.
"And their line-up for this big game includes a few changes here with Dwight and Kemp coming into the midfield..."


Television eventually closed down later and later with much more things being put into the small hours, with ITV eventually covering the big boxing clashes to fill this time in terms of airtime and the same went eventually for sports which were covered such as the 1987 Rugby World Cup, various Grand Prix and other events. Now it seems no one cares when television should stop and with things like The Sign Zone which are a good thing in themselves, there is a point to that. But when BBC News is simulcasted in the early hours, when news doesn't generally happen. Through the death of Princess Diana, it seems television has felt embarassed by that ever since that they had to cut into a closedown and don't want to be caught with their night clothes on again, but surely there has to be a natural stopping point again for television. With special occasions allowed for events to be covered by broadcasters, but even television must been seen to get tired without a rest since 1989.

Maybe its time we told it go to bed and get some sleep and we'll come back when its good and ready, dead air is not a crime as long as there's something in it and television will feel refreshed for it....

Tuesday, 13 September 2011

Off course you can...

Some people may question where about the quest and thirst for knowledge comes from, what makes up someone who wants to learn more and more. I will admit I've never been the most intelligent of beings, but I've always had a thirst for learning new things. After leaving school as a 16 yr old with no GCSE's this made me want to know more about the media and the industry surrounding it. Fine, I could read TV listings from a young age but I wanted to know about the companies behind the programmes and the people who made them.

Like many things nowadays, anything like this is seen in the newspapers as quirky and odd. These stories come with a 'Good for a Laugh' image, but I don't never see this as that. Since I have been tweeting I have learned more and more from various people and their knowledge of such things, where as I would have looked at a book and read now I can discuss with people about all angles of an industry set up to inform, educated and entertain us. 

Learning such information on my own seems like a little triumph for myself, knowing that I can know something that it might not be 100% right, but just the knowledge of knowing that particular fact. Then again some of the most influential people in the media and entertainment sphere have search for that knowing all their lives. By example Jeremy Beadle was supplying information to shows, Bob Monkhouse built up a huge collection of videos of shows and other items as well. We all want to be able to say 'Here's something that you don't know...' Maybe such not as pub trivia but being able to impart knowledge to other people each and every day. I read mostly reference books and autobiographies of people and have done all through my life, knowing what people have been through to get where they are today. A good true life story is as good as a fictional one, where as you could say that you couldn't make it up at all. 

By using this knowledge I can impart thing onto other people and help them in whatever I do, even by doing this and passing on little bits of knowledge to the likes of Iain Lee and Danny Baker, if they used them that was upto to them. But knowing I can provide a little bit of trivia and knowledge with what I do, it makes an audience sit up and listen. I'm not saying that I'm no memory champion as such, but when you are given a hand of cards to be able to sit in front of a television set, it'll be used to do so.

I was never going to be a world champion being able to kick a ball around, but knowing that Mickey Dolenz  
directed Metal Mickey, that's one thing I will take with me....