Boggen's Advent Calender (Day 25) - Christmas Meant ITV, but what does television mean nowadays at Christmas?

So the search for finding out who did ITV's Christmas Promotions and Trailers goes on, which have fascinated through a article which was sent to me by a friend outlining the start of ITV promoting itself through a seasonal basis of Spring, Summer, Autumn and Christmas split between the big five companies. Those being Thames, Granada, ATV, London Weekend Television and Yorkshire Television, the first of which came in 1969 when ITV did try to do a united effort but this didn't much have an effect to all intrinsic purposes. Where they failed to beat the BBC in 1969, ITV had seemingly gone through a traumatic year in 1970.

1970 for ITV meant a colour strike and union strife, meaning that where airtime was sold at a lower rather then a higher rate that colour broadcasts brought to the companies themselves. So Thames took it on themselves to come up with something for that year's Christmas to use on all companies but more importantly an ITV branding which was already being used on other programming that the network was showing.

But the original idea seemingly was to come from London Weekend but with Michael Peacock having gone in 1969 meant Muir Sutherland, an executive at Thames led a committee to come up with what ITV were going to use for Christmas 1970. The other companies put in the financial support to do so, this meant that Ron Walsby who had previously been at ABC before Thames came up with the promotions which was delivered via inter-company lines to all the companies throughout the network. But one problem was the Colour Strike still on going at the time, meant the promotions were seen in black and white on viewers' screens. 

To come out of all of this was a scheme where each season was give to one of the big five companies, sharing out responsibility equally among them, but as Winter 1971 followed on so shortly on from Christmas, this meant there was a jump to Spring 1971 seemingly Thames taking on responsibility for the Winter schedule as well, but this was to see what effect the promotions had at Christmas, if they were a good thing to continue in this way. Though in 1968, London Weekend had to be persuaded to spend more money on their on screen promotions when advertisers were paying good money to advertise with them. 

As the 1970's went on, the big five companies shared out duties between themselves but with some many big voices shouting all at once to promote their programmes as well as such big personalities in the management of each of Thames, LWT, ATV, Granada and Yorkshire wanting to push their wares on the ITV network. But as the BBC went into the Christmas of 1977 with one of their strongest festive programme line ups ever, ITV had to respond as the fight for viewers were becoming more competitive as ever. 

This meant ITV had to up their game as they had in 1970 with a campaign which was memorable even if the programmes may not have been like the BBC's. Though the 1977 promotions fell upon Granada for this year, not only with an animated Father Christmas cartoon going around delivering his presents as well as the very catchy 'Robin Song' behind the trailers made for a bright and cheerful set of promotions and trailers. The New Year's trailers are just the generic Granada trailers even using their own slides but with a 'New Year on ITV' ident where the usual Granada ident is placed.

Such with the promotions, that they used the companies own announcers to voice them meaning that voices not usually heard outside their own regions got an airing on ITV over Christmas, Malcolm Brown later of TVS was to be heard on the 1977 and 1980 Christmas promotions both done by Granada. 

1978 saw the promotions done by ATV, with a very cosy style of promotion very much different to 1977's effort. Taking inspiration from a traditional Christmas, by using three animated candles with a gold and red font these promotions hark back to a more traditional time seemingly less commercial but never the less adaptable to each regions own needs. With this being the first year of Morecambe and Wise on ITV since their move there after the previous year's Christmas special for the BBC and also Bruce Forsyth's big money move, the promotional package had to be a strong one with no doubts Thames and LWT wanting it to be as competitive as it could be to show off their assets and the whole network's assets as whole. Compared to 1977, the package offered up for 1978 is as good as any which had gone before it and proved ITV were getting stronger in promoting what they had as well as the BBC could do and they had the stars to prove it as well. 

The commercial network offered Bruce Forsyth on Christmas Eve and the movie premiere Charade as well, with the day before Christmas falling on a Sunday meant that LWT and Michael Grade was in charge, so his and ITV's biggest signing could appear on Christmas Eve itself to somehow recoup some pride from what Bruce Forsyth's Big Night had done for the network as a whole over the the Autumn season. However with the big day falling on a Monday, this gave Thames the upper hand with the main part of the evening turned over to the premiere of 'Diamonds are Forever', The Morecambe and Wise Christmas Show of which this was Eric and Ernie's first one since their return to ITV and also a 'This is Your Life' special as well. 

Where as 1970 had been tough year for ITV, 1979 was to be its toughest year to date with the network totally wiped out by a ten week strike. The autumn season only starting in late October when the channel came back on air, leaving it very little time to regain viewers who had come to the network in the previous twelve months, in putting on a big show for ITV's return on the 24th of October. The Christmas promotion seemed slightly staid, with a Christmas card type of scene of a village as its main identity, however the menus and trailers seem very sparse indeed, almost understated in their approach. Seemingly the promotions and trailers done by Yorkshire were to be just that with the channel still finding its feet after such a long time away and viewers still loyal to the BBC.

However for the programmes, they offered as strong a line up as it had been in years, but with a familiar look to it too with 'The Three Musketeers' as the big film, Eric and Ernie on their second Christmas special since moving back and also 'This is Your Life' once again. Tried and tested it was for ITV, but as a recovering network they need to make their Christmas line up and promotion even better.

Come 1980, the honour once again of promoting ITV at Christmas fell to Granada yet again. Compared to Yorkshire's sparse effort of the previous year, the company for the North West of England decided to follow the same pattern as they had done for 1977, animated promotions and a catchy tune to go behind them. By using a wrapping paper and gift tag motif, they made it simple where as the BBC's efforts were getting overblown by this point. Granada known for their understated promotions, made something something which captured the new decade perfectly with its minimalism and also synthesizer backing track, showed that the promotion could be simplistic but effective. 

Much could be said about the schedule as well, 3-2-1, James Bond in 'The Man with the Golden Gun', Morecambe and Wise as well as This is Your Life. The same schedule almost for the third year in a row, by now the predictable nature of the Christmas Day schedule of ITV was starting to see the viewers get used to what was going to be on at a certain time in the evening, as much as they enjoyed the programming, there was a danger of also alienating them by having not much choice at all.

Something had to be done and in 1981, that something was a freshening up of both programmes and also a more exciting look to Christmas on ITV. By taking ideas used previously such as a Christmas scene in a urban setting, using Father Christmas flying his sleigh and also a star in the sky made for another Christmas card scene yet again. Different company, different ideas. But Thames came up with the promotions this time round, offering their take on how a promotion should be used and almost very BBC in style.

Yet with the big day falling on a Friday, this also meant a split in who was going to offer up the programmes themselves. This first part of Christmas Day meant that Thames could offer up Dr No after the Queen's Speech and also This is Your Life but much earlier in the evening than previous years, but the main movie of the day came from Lew Grade of which The Muppet Movie was shown at 5.50pm leading through the time that Thames handed over to LWT at 7pm. Meaning this could have been a deliberate ploy to allow the handover to go on in secret with ATV holding the fort. Though with LWT in charge, this allowed them to show their big hit of the year and away from The Generation Game on BBC 1 which had appeared after the Queen's Speech. Game for a Laugh produced by Alan Boyd, had fought off his previous show and stood proudly on Christmas Day, this was backed up with the third edition of It'll Be Alright on the Night another LWT production meaning that ITV could put out a different schedule than in previous years. But for the first time in a very long time Morecambe and Wise were not on either channel on Christmas Day, with their Christmas Special appearing on the 23rd of December when Thames put it in the slot where London Night Out with Tom O' Connor usually appeared, meaning that went to Christmas Eve at Eight o' clock in the evening.

Overall ITV's Christmas in 1981 had been different, as such revitalized itself once again. Though much thanks to the actual system of ITV then its programmes, with LWT taking the lead on Christmas Day, the commercial channel's schedule seemed a lot strong then it had done for years.

1982 brought the usual Christmas card scene for the promotions, but with the voice-over by Michael Aspel made them seem like effort was taken to get the promotions right and that they should be done properly. The lessons had been learned that ITV could get their Christmas look right, with more companies adopting it for their own in vision continuity spots. Meaning a good look could be universal through the ITV network and what they'd wanted for years, something which bring their identity to the fore. 

Such with Channel 4 having been launched in November, this was more then important with viewers able to pick from four channels and another commercial channel for a start. The ITV brand was getting used a lot more than it had been previously, but still they had no ident of themselves to speak of so they could not have a clear identity on their own promotional trailers.

With Christmas Day falling on a Saturday, meaning that LWT could have the whole day with no Thames programmes having to fit into the schedule. Which meant for the second year in a row, no place for Eric Morecambe and Ernie Wise on the big day yet again. They would have to wait till the 27th and Thames to return. Yet, for the BBC's schedule on Christmas Day, the reliance on LWT meant that at the start of the day, the film Journey Back to Oz wasn't much entertainment at all and with Christmas Parade on BBC 1 it seemed like Christmas Day early on for both channels didn't seem to want to get started at all.

The actual schedules on both BBC 1 and ITV didn't started until after the early evening news had finished, however with LWT calling the shots, ITV went headlong into their schedule with a little help from Yorkshire Television and their festive edition of 3-2-1 at 5.35pm but there on in for the main part of the evening was all LWT made programmes. This meant an appearance for the second Christmas in a row of Game for a Laugh followed by Bruce Forsyth in Play Your Cards Right, the movie premiere of Disney's 'The Black Hole' followed and after that, Chas and Dave had their Xmas Knees-up including guests such as Eric Clapton and Jim Davidson. 

ITV had the might of LWT to provide programmes for them on Christmas Day, so finally they had taken on the BBC and gave them a real fright, but as such they still did not have an identity which they could call their own. In 1983, all that changed.

Christmas Day fell on a Sunday meaning LWT called the shots in programmes, yet again for ITV but the promotions went from them to Central, who took the theme of presents and decided to give them an eighties spin, literally. The present and gift tag idea used by Granada in 1980 combined with flying objects such as crackers, ribbons and presents but it did have an odd effect of like staring into a Christmas vortex with so many flying objects, with this being the year of ITV's 3D-TV experiment, it seemed like Central had taken it to the extreme somewhat. Though finally ITV had adopted their look and a first ident for the network used on screen. 

With drawing out the big hitters such as Superman - The Movie, Bullseye, a Royal Carol Concert, Play Your Cards Right and Jimmy Tarbuck reviving a sort of All Star Comedy Carnival/Christmas Night with the Stars calling it his 'Christmas All Stars' including the cream of ITV's and LWT's talent along with satellite links with the stars of Hart to Hart and Andy Williams. The strength in depth made ITV's Christmas strong however, the BBC used their stars in their own shows and played to their strength knocking ITV back somewhat from where they had been in the previous two years. 

As with most things, the computer graphics age was transforming television presentation and this was none more evident in 1984. But with Christmas falling on a Tuesday, ITV could not rely on LWT to help them this year, where as the BBC had been lackluster in the past few years, it was formerly one of there own which would be going up against ITV. Michael Grade had joined as the Controller of BBC 1 in 1984, as such he wanted to put on a show against ITV, Where as the BBC freshened up their line-up it seemed out of place somewhat.

For their literal Christmas Card look with flying train, Granada who provided the look made the effort to make it look modern, but modern doesn't always look right and 1984's look compared to BBC 1's looked sparse and almost bleak, the hard sell was there for the programmes but yet it feels cold and uninviting. Even the programmes apart from the Eric Morecambe tribute at 6pm don't have an effect at all. Making the line-up seem almost humdrum in comparison to what the BBC had on offer. Michael Grade knew how to construct a schedule and it would take a lot for ITV come back and properly challenge BBC 1.

Fast forward to 2014, today and BBC 1 are relying on the same programmes they have done for the past couple of years, Strictly Come Dancing looming large in the schedules along with Dr Who and Call the Midwife, ITV seems not to compete at all largely with just celebrity lead documentaries for most of the afternoon and early evening, with the later part of the evening not entertaining at all. Maybe its time for a change, after so many years the viewing public are getting bored of the same old thing again. So something is needed to happen to wake ITV on Christmas Day out of its comatose state, which it has been in for many years now. 

Where as the BBC cannot rely on the same programmes year after year, it would be surprising that people might go to on demand services and DVD's for their entertainment this year. Television faces the same problem as it did in the mid-1980's with the rise of home computers and VCR's. Innovation is the key for channels nowadays and there is very little of that on Christmas Day. 

So what will I be doing on Christmas Day? Pretty much what everyone else will be doing as usual, but in this multi-channel age I will be flicking around the many channels out there. As I have to say that television has let me down now, without serious thinking it could be looking at a very tough future for itself at Christmas.

Boggen's Advent Calender (Day Twenty) - Goosing with Dick while Aladdin watches

Its Panto Time once again and for the twentieth day, here are some awkward Pantomime television ads to look at..

First off upto to Scotland to see how they can advertise a panto with mainly Scottish flavour, pantos do have a strong regional flavour in certain parts of the country and they draw on this to enhance what they have got already. However this just seems like the raw footage for a commercial which has somehow sneaked it way onto the internet, letting light behind the magic somewhat.

"No, the camera's over here..."

And over to Southampton as this is this year's advertisement for the production of Cinderella starring Brian Conley and Gok Wan, yes that Gok Wan is in panto. Conley, a veteran so many of these shows, makes it look so effortless. But hey, in a world where local advertising is so short nowadays, isn't reassuring that a show like this is going all out make itself noticed.

No puppets were harmed in the making of this advert

Or how about another way to get you message across, mainly shouting it out there! In Weymouth that's the way they like it seems, making sure everyone notices them. The simple pleasure of seeing the panto comes to us all, in my time I have seen everyone from Lorraine Chase, Cardew Robinson to the great Brian Cant, even appearing on stage with him. Overall panto has kept up with the times, with whoever is famous is cast in these shows, from the rash of soap stars in the late 80's through to reality stars of today. Its these people who make panto what it is and we wouldn't have it any other way.

Giant, doesn't cover it...

Boggen's Advent Calender (Day 16) - The Foolish on the Hill

A short one today and a more visual one as we look at Christmas tapes, the promotion made for internal viewing at television stations around this time of year. Though actually they have a lot more to answer for then just being smutty, it was from these tapes the idea of It'll Be Alright on the Night came from. By the VTR editors collecting all the mistakes throughout the year meant they had accidentally invented a new genre of television.

However in such a high pressured world as the television industry is, these tapes not for public consumption were like a pressure valve, letting out their frustration at the end of a hectic year. Though they were not without their own problems, as such with the BBC's 1978 tape White Powder Christmas, where an interview with David Coleman and Princess Anne was re-edited to make her give salacious answers to Coleman's questions. Though when this leaked to the Sunday People, all hell broke loose that a member of the Royal Family would be treated in such a way by the BBC. 

So an internal tape had escaped into the public domain and also with the tapes being even re-edited and going on sale in The Netherlands as public video entertainment, meaning which the promos/Christmas Tapes had to go even more underground.

An explanation as such comes from the 1988 BBC Christmas Tape handily known as The Christmas Tape Story.

Now get out of that...

For all the naughty bits, these promos are actually well put together with as good production numbers as in any programmes. By taking the popular songs of the time, the staff would do their own versions and even those who are more musically gifted made their own songs. But the producers knew the value in letting the production staff do this because for all their seeming messing about, that ideas could taken into programmes and used to the advantage. 

So we say 'Merry Christmas VT' to those who bring us our telly over Christmas and without them it wouldn't be possible.

Boggen's Advent Calender (Day 14 and 15) - And Our Survey Said... Game Shows at Christmas

What says Christmas more then giving away prizes? The television staple of game shows, always appear in the festive schedules and nowadays thanks to channels like Challenge we can see Christmas specials from the past. Though where now game shows used to the domain of the general public during the rest of the year, where mostly in prime time now the celebrities appear the most on them.

But back in the time before digital television and audiences in there many millions, come the festive season with the tinsel and turkey, celebrities lined up to have a go at what mere mortals would do. Though one of the most unfathomable game shows being 3-2-1, they first put the celebrities to the test in 1978. Well, actually 1979. But wait there's a reason for this, Yorkshire Television who made the programme were actually on strike over the Christmas period of 1978 and as such they could not broadcast it either leading to the Christmas Edition finally going out on the 27th of January. 

Though that's where we leave that edition, as since 1979 it has not been seen. But on the 23rd of December, Challenge TV are re-showing it again. All we know is that Jack Douglas appears with Rusty Goffe and three couples are Mike Channon teaming up with the then England women's cricket captain Rachel Heyhoe Flint, Clodagh Rodgers with Terry Wogan and Pat Coombs with Julian Orchard. Apart from that I don't even know what happens, so even it will come as a surprise to me.

Anyway for the next 3-2-1 celebrity special, we move on to 1987 with the contestants all coming from soap operas. Well, ITV and Channel 4 soaps anyway, the Skilbecks of Emmerdale Farm, the Duckworths of Coronation Street and the Grants of Brookside. Along the way, guest santas popped up to deliver the clues with former jockey Bob Champion and former swimmer Sharon Davies amongst them. Though is also notable for an appearance by voice-over man and continuity announcer John Benson at the end with the rest of the assembled cast.

There are stranger game shows though, how about Big Break? The show that brought snooker to the game show format, they were always quick to do something for Christmas. however how about the likes of Steve Davis set against the story of Alice in Wonderland? It happened in 1994, Mr Davis were joined by Marti Caine as the Queen of Hearts, Zoe Ball as Alice and Craig Charles as the Mad Hatter. Though what fellow snooker players John Parrott and Terry Griffiths thought of this is anyone's guess.

However this isn't the strangest edition, the next year they did a panto themed edition with Wendy Richard, Frank Carson and Diane Louise-Jordan as the guests and potting the balls were Ray Reardon, Jimmy White and Peter Ebdon. Cue lots of jokes about Cinderella going to the ball etc.

So when the celebrities are allowed to play anything can happen and it usually does.

Boggen's Advent Calender (11th, 12 and 13th Day) - When Fifteen goes into One: ITV Promotions and Trailers at Christmas - Part One

A couple of days ago, I looked at how promotions were used to promote different channels at Christmas time. But with the BBC it is easy to promote themselves because they are one Corporation as compared what ITV was, a series of individual companies all wanting to do their own thing. 

For so many years, the likes of Rediffusion London, Granada, ABC, TVS, Central etc, they would adapt their own look over the festive period. These efforts were a proportion to the companies they represented i.e. Granada's being homely, Rediffusion's being classy and TVS' being entertaining.

However with ITV wanting to serve a more united look over Christmas, how would the individual companies come together to give a unified look. In response to the BBC's lavish trailers of the 1970's, the independent channel had to come up with a way of doing this as well. The structure within ITV meant there were five major companies at its head after the 1967 franchise round, those being Thames Television, London Weekend, Granada, Yorkshire and ATV. With the more minor franchises supplying programmes for the Christmas schedule, but the big five companies were the ones tasked with coming up with the look for the festive period. 

Every year the responsibility fell one on of the companies to come up with that year's look for Christmas. Taking for example, 1982 with Christmas Eve and Day falling on Friday and Saturday respectively, that LWT took on that year's campaign running from the 20th of December to the 28th. So it was natural that London Weekend would use one of their own personalities to voice over the promotions, with Michael Aspel both a face from Give Us a Clue but also LWT's Six O'Clock show doing the duties. The actual launch trailer was broadcast on the 7th of December after the programme Russian Roulette. 

The trails themselves were played out on the fifth of December after the film 'Fort Ti' and before that evening's showing of The Professions, both of these being teaser trailers. However on the 9th of December, the first proper trailers were played out after an edition of 'Only When I Laugh' and also 'Falcon Crest', the first of these two concentrating on the entertainment to be seen on ITV over Christmas and the second showing the big shows and films the commercial channel had that year. 

In the line-up for that year's entertainment was Mike Yarwood, This is Your Life and The Morecambe and Wise Show from Phillip Jones' Light Entertainment depart at Thames. For game shows 3-2-1 from Yorkshire and Punchlines with Lennie Bennett from LWT, as well as two of LWT's main shows for Christmas night being Game for a Laugh in its second series and also Chas and Dave's Christmas Knees Up which is being re-shown by Channel Five again this year. Among the other highlights, the network premiere of Roger Moore as James Bond in Moonraker, Disney's The Black Hole, fun with Bruce Forsyth in Play Your Cards Right and Secombe at Christmas with Harry Secombe bringing a musical flavour to proceedings. 

An example of the 1982 ITV Christmas promotion

"There maybe trouble ahead..."

"Greetings to you too..."

However it has been an ambition of mine to learn who actually made the ITV Christmas Promotions/Trailers pre the united ITV era, so I will be looking into them more deeper soon.

Boggen's Advent Calender (Day Ten) - All Star Show Offs

Day Ten and we look at a tradition which ran on children's television for nearly ten years but as such marked the start of Christmas, where as on the Morecambe and Wise Christmas Show, there was always a star guest from another field showing off. But imagine the whole of the BBC Children's Department all showing what they could do in one show, that show was The All Star Record Breakers, usually Record Breakers made facts and figures entertaining, though this once a year opportunity gave Roy Castle to show off what he could really do and effectively his own Christmas Special.

With so many talented people who presented and acted in shows for children on the BBC, All Star Record Breakers was the perfect idea to make a show as spectacular as any the Light Entertainment department could do. Effectively, the two departments of Children's Programmes and Light Entertainment crossing over made for something spectacular.

The series of specials started in 1974 with the likes of the Blue Peter team including John Noakes, Peter Purves, Valerie Singleton and Lesley Judd along with Pat Keysell and Tony Hart, Johnny Morris plus Michael Rodd, Julie Stevens, Bernard Cribbins as well as the McWhirters. But the fun did not start to get going until 1977, in the year when the BBC spared nothing to make the programme to more spectacular then ever before. It was the year which produced one of the show's most remembered moments. Roy Castle, one of the best tap dancers that the UK has ever produced did something so iconic that even after the closure of BBC Television Centre that it is still remembered to this day. 

Not only did Roy tape dance his way around the Television Centre, but when he arrived at the centre courtyard where as he was joined by lots of tapping feet from the biggest tap troupe in the world. All in aid for raising money for Action Research For the Crippled Child, but as such to get the fountain to work at the right time in the routine, a little bit of persuasion was needed by the people who operated the fountain. Leading to one member of the All Star Record Breakers crew to sponsor the person who switched on the fountain for doing their sponsored knit. 

Roy Castle Beats Time...

However the 1977 edition is full of jokes and songs, John Noakes getting pied in the face, Roy having to compete with whole cast in singing Catch a Falling Star who add the facts about the interstellar heavenly bodies whilst he is trying to perform. But in edition to Kenneth Williams' joke about the largest saxophone in the world adding that someone would need plenty of puff to blow it and he delivers that he's one of the biggest puffs in the business much to the knowing laughter of the band. 

Though the performance of the story of Hans Christian Anderson brings out the best in all the performers with Peter Purves singing about wonderful, wonderful Copenhagen, Roy telling the stories of Hans with Kenneth Williams in full Jackanory mode narrating the story itself, the end result is anything as good as any musical. Though who wouldn't want to see Noel Edmonds dressed as an inch-worm?

But always the BBC wanting to top this, in 1978 to make the show even more like Light Entertainment, they decided to base that year's programme on Music Hall entertainment. This lead to more people who came from an entertainment background, all the Blue Peter presenters of the year were there so Purves, Noakes and Judd were joining by Simon Groom and Christopher Wenner. The programme has a feel of an edition of Crackerjack, but with Brian Cant, Bernie Clifton and Stuart McGugan joining the cast. Here were three people with entertainment experience and versatility, but also people who had experience on working on shows from the Light Ent and comedy departments. 

If its 1978, then Grease is not far away. Maggie Henderson plays the Olivia Newton-John role but who played John Travolta is not known at all. To top last year's Hans Christian Anderson musical, the All Star team put on The Pickwick Papers for the finale. Later on Roy Castle was to star in Pickwick with Harry Secombe on the West End stage, so as good as training for appearing that musical. Adding to the musical performance is the All Star Steel Band, so the likes of John Craven clank along to make beautiful music together. Unfortunately or fortunately, this performance has been lost to the ages.

1979 brings a touch of the surreal, because for all the fun and jollity there is Miss Children's Programmes 1979. You read that right, a beauty contest for female children's presenter. Odd you might think, but it is apparently all a dream. Who's dream, I don't know? Anyway, the special guest judge for this is Valerie Singleton, who apparently won the contest in 1972. So who entered in this year's contest? Tina Heath, kept the Blue Peter end up plus also Lucy Mathen represented Newsround, Carol Leader went through the round window for Play School, Dame Floella Benjamin as she is now was trying to help Play Away walk off with the title, with also including Susan King, Su Ingle, Maggie Philbin, Jan Hunt and Maggie Henderson. So its odds on someone called Maggie could win it, sadly for the ages we do not know who won the prize. But more seemingly a touch of 'It Was Alright in the 70s' there, with the children's department thinking this was suitable viewing for 5 to 16 year olds.

Don't believe me? Then take a look at this!

Ask Aspel, if he wants to come back and host...

Return tomorrow for day eleven and we are nearly halfway through, so its time to launch those Christmas promos!

Boggen's Advent Calender (Day Nine) - A Delve into the Schedules, 30 Years ago..

On the ninth day of the Advent Calender, I give to another look at around Christmas television. This time we skip back to 30th December 1984, which was a Sunday. With the festive season over and the New Year just around the corner, what did BBC 1 and BBC 2 have to offer us to people getting visual heartburn?

Well BBC 1 first brings The Flumps to screen at 9am, for some reason every set of listings I pick has had The Flumps within it, but the main channel gets more serious with a Cliff Morgan documentary about the 1984 International Games for the Disabled which handly points out that no-one runs as fast as Seb Coe or throws as far as Tessa Sanderson, but its only a matter of time according to the Radio Times. Then goodness knows what who ever wrote that would have made of the 2012 Paralympics! "People running, on blades?" As its Sunday, this also includes an edition of See Hear as well, meaning that the disabled can have their own little place out of the way it seems. 

However as its Sunday, religious and Asian programmes go hand in hand as well, good old Auntie BBC being diverse there. But the illusion of this is somewhat spoiled by an edition of Bonanza at 10.30am, so if you were a religious, Asian cowboy at least BBC 1 had you covered for the morning.

David Attenborough pops up with Wildlife on One about Antarctic animals after the news headlines, so on a cold day comes a programme about a cold land. The main channel sure knows how to warm people up, but at 1.50pm BBC 2 starts up with a comedy from Charlie Chaplin about a tramp, a blind girl and a eccentric millionaire. Hmm, so diversity from BBC 2 as well then, next there will be a load of beefy men all clashing into each other. Ah, yes.. Rugby Special, the Northern Division, which when you think about it sounds like a great name for an early 80's synth band. Anyway, the Northern Division take on the Romanians, it sounds like a Nigel Farage promise, but its a rugby match. Nigel Starmer-Smith sits at one end of the rugby club boardroom hoping to get a drink at some point. 

Think that's the end of the physical exertion? BBC 1 at five past two. brings you Stanley Baker and Michael Caine in Zulu. But thanks to Radio Times' listing writers, they can explain the film better then anyone else. "1879. Having inflicted one heavy defeat on the British army the disciplined warriors of Cetewayo march in towards the small army garrison at 

Rorke's Drift. Lt John Chard and Lt Gonville Bromhead desperately rally their meagre forces: 8 officers and 97 men against 4,000 Zulus!" Dramatic or what? But also spoiling the film somewhat as well, so thanks for that! 

But more stunning scenery for BBC 2 at 4pm with the last round of One Man and His Dog, the programme that colour television was mainly invented for, because there's lots of green, lots of it. So what's to follow lots of green? Lots of green of course! This time of the green fingered variety as Geoffrey Smith shows his World of Flowers at 4.45, so there a splash of colour there. What's next for the second channel today? The Wizard of Oz, oh right! A film which is part black and white and the main city in it is the Emerald City. More green again! But however is its a nice tea-time film to sit down to and have cake with. Well there's not much to be jealous about that there?

Let's see what BBC 1 is carrying on with. Holiday, people visting hot, sunny places and John Carter gets to do it on Concorde as well! How about Anne Gregg, where is she this week? Corfu, looking at 'Club' holidays to be precise. Dear oh dear, the booze is flowing everywhere this week but thank goodness Cliff Mitchelmore is in the studio with nothing stronger then water as usual. Good, safe, reliable and there's a third report as well this week. Frank and Nesta Bough have their first report from France, so everywhere you look there's drink this week. Best get the black coffee on then before next week's show, I think.

But to bring everyone down from this booze cruise at ten past five is adapted from the book of the same name is Keith Waterhouse's 'This Office Life' and now I can see what The Wizard of Oz runs for so long, its like BBC 1 is saying "Ignore us for now, come back to us later, OK?" Though with Sunday duty after the news comes Songs of Praise, but on BBC 2 at 7pm is a few people who are praying not to get hurt as Ski Sunday and David Vine brings us the first round in the annual Four Hills Championship from Obersdorf in West Germany. Adding his own brand of magic on commentary is Ron Pickering, who is ideally suited to people jumping off things. Whether he shouted "Away you Go!" as every jumper goes off the end of the ramp is not recorded. 

With all that snow and ice today, there has to be something to warm you up. So like a warm fire comes along Last of the Summer Wine, as Compo, Foggy and Clegg help out Wesley with his racing car, at some point they must go rolling down a hill for our amusement. Just like those chancers, comes Robby Box in Big Deal trying to gamble his savings for the taxman away. Bringing the series to conclusion after ten episodes and with more drama then you can shake a pack of cards at. 

That's a taste of the 30th of December 1984, the full listings for BBC 1 and BBC 2 are below, so you can have a good look at them.

BBC 1 30th December 1984

BBC 2 30th December 1984

Until the tenth, I bid you farewell for now..

Boggen's Advent Calender (Day Eight) - Sticking Out Like a Sore Thumb

Day Eight and it already feels like the big day is rushing towards us like a go-kart with no breaks and string steering. So in all this chaos, how as a television channel do you get across that you've got a raft of special programming coming up soon. Sure its easy enough as everyone's got a electronic programme guide on whatever they are watch the television on and funny enough a television set as well.

Though there were days when a copy of the Radio or TV Times would suffice to know what was coming up over the festive holidays, in loads of talk about people wanting to see what this year's BBC 1 Christmas ident will be even eighteen days away from Xmas Eve when we used to get it, but now its an excuse to get one over each and every channel. Let's go back to the days of less chaos and bad planning to see how Auntie BBC and Uncle ITV used to persuade us to sit down and open a tin of Quality Street and or Cadbury's Roses but never Celebrations as they weren't around then. I've gone all Stuart Maconie here, next you'll had a load of seventies celebrities poking their noses in too with their familiar faces as well.

1987 and a storm has blown over, finally they have prized Nicholas Witchell away from the Broom Cupboard so the normal continuiry announcers can add a bit of tinsel to the BBC 1 Globe. Yes, what better way to cheer everyone up with a lively Christmas ident...

"Marple-lous..."

Ah... yes.. Bits of paper paper flying around, shall I tell them or shall you? So five years after TSW and Channel Four got there with flying idents, the BBC for Christmas does something which is rather uninteresting and doesn't do much. At least Michael Grade had a three piece cracker, but enter John Birt so everything's classy but had the fun sucked out of it. The programmes are good, but surely they could had a Father Christmas walk across the ident or something or re-hired one of those animated bits of holly from 1986? 

Oh well, lets try the other side and Children's ITV to liven this up a bit. Yes, its voice of Channel Four Gary Terzza and Debbie Shore as well. They've got right into the spirit of Christmas with their tree and Debbie's natty Christmas jumper as well. Though always get that plug in for the TV Times there, as you might make another sale for the bumper Xmas edition as usual. 

Throw in the films, a bit of Disney and also anything ITV has found from somewhere and there you have what is enough to keep the Children amused, but how about something for all the family? Going back to this day in 1983 with the voice which launched a thousand clips, Brian Nissen on duty for TVS announcing Shelley with Hywell Bennett but Haskins from The Sweeney as well for full comic effect before some Americana involving Heather Locklear as per usual during the 80's. Any excuse to get her in clothing not becoming of family viewing, though in Hotel. Me neither, however at 50 seconds in comes the reason why I am including this. Its one of the first sightings of ITV's 1983 Christmas Promo package.

ITV's 1983 Christmas Promo

We'll be coming back to the wherefores and whys about ITV's Christmas Promos in a few days time however here's a sneak peek at what's to come from the commercial channel...

Boggen's Advent Calender (Day Seven) - Hooked into Christmas

Music is always the ingredient which adds to Christmas, though never the less you cannot escape it when shopping or on the television as Noddy Holder's bank account gets bigger and bigger much like the ringing of the cash till for Roy Wood. 

So many songs are played to death, they have no meaning what it is to be a Christmas song and yet everyone does one it seems, just because they don't make it onto television and radio, doesn't mean they are not less important at all.  But I have been searching around for some songs which will hardly been heard since they were first put onto turntables.

First of all, its 1981 and after all that went with the Summer of that year came one phenomena. Its name is Hooked on Classics, all the best bits from those famous composers put on one single or album if you're more fancy. Though hold everything, the cash tills are ringing like sleigh bells, so what's the best way to keep the Hooked On.. franchise going? Well, do it at Christmas! Its easy, get those favourite tunes and add in that funky syth-beat, so what have you got? 

Well, actually... A flop...For all its effort, it failed to reach the top 75 chart. so maybe stretching an idea to breaking point isn't a good idea after all then. But just for you, here's it moment in the mid-winter's sun.

"Hooked, line and sunk.."

Second up from the masters of the Can Can is Bad Manners, to get in the festive mood they have reminded is that "Its Christmas Time Again" which sounds more a weary statement than a cheery single. The actual song isn't that bad, but which leaves the question how could this not even challenge for the Christmas Number One. Proving its not an art how to write or make a good song but somehow it must have got swamped by all the rest of the Christmas songs out there. To Buster Bloodvessel, he went and tried something and isn't that better then not trying it at all.

"A-neeny-nani-noo-noo.. A Merry Christmas to you..."

So not every Christmas song is Wizzard or a Fairytale of New York, think of those which haven't been played to death because there's always a surprise or two out there

Boggen's Advent Calender (Day Six) - Going Cold Turkey with Bill Grundy

For all the joy of Christmas, then comes the other side. The true meaning of Christmas, every now and again television puts this into focus with serious debates and discussions. Think Question Time with added three day old Turkey sandwiches. Who can think of anything more festive whilst wrapping presents to have two men talking about the merits of keeping Christmas and who do we spy as the festive Scrooge? Its Mr 'Wot a Rotter' himself Bill Grundy talking about axing Christmas, putting the point across that the festive season is no more an excuse to eat, drink and spending too much on presents. But to put the opposite view is Dr John Rae, the headmaster of Westminster School.

Wait, hang on. Have we been reversed here? A teacher encouraging fun at Christmas? Seems so, Lord Thames though this was a good programme to put out on Christmas Eve. Plus with its title 'Abolish Christmas!' meaning that the fun is being sucked out of Christmas some what. Though I do have a theory about Mr Grundy's grumpiness and its not to do with those 'Sex Pistols' either.

No I think it all stems from a little know series travel films produced by British Pathe in 1972. Telly Savalas got to visit Aberdeen, Birmingham and Portsmouth, Pete Murray went to Nottingham. At least James Mason got to look at some public conviences, but not our Bill. He went to Aylesbury and Windsor, maybe he could see what was coming after all and decided to turn himself into a Dickensian character, sweeping away the comforts for news. 

So let us remember Bill Grundy for what he was before and not what happened in 1976 and so here are two films where Bill Grundy visits...

"Here I am in a pub.."

"Oooh look, its the Queen!"

Boggen's Advent Calender (Day Four and Five): Festive Stuffing (19th December 1998)

Day four sees the first of out look at what was on the television on a certain day before Christmas and we've landed in 1998 at the last Saturday before the big day itself. So Saturday 19th December 1998, well the biggest day of the week for BBC 1 and that means phone-ins, pop and cartoons. Providing that is Live and Kicking with Zoe Ball and Jamie Theakston, now she does Strictly Coming Dancing's accompanying programme and he's now presenting history programmes for the Freeview channel Yesterday. I know, its a strange world isn't it? 

So what did they have to offer on this morning? Boyzone and The Spice Girls, but let's not forget their biggest guest, Brian Blessed hopefully in full 'GORDON'S ALIVE!' mode though knowing Mr Blessed, he would have seen it as great fun to muck about with the likes of Mr Blobby. Is that the last we see of them today, ooh no, not at all. But to bring us down to earth is Grandstand with Steve Rider in the chair featuring Short Track Speed Skating, Skiing from Italy and the annual Show Jumping from Olympia, save for a bit of tinsel in the Grandstand studio. This is hardly very festive at all, you could say snow is festive but then again I know I would have been watching it. Who's the fool then? Ah, OK.

As with most late 90's Saturdays then after the early evening news comes a repeat of a well love sitcom from the David Croft stable, surprising its not Dad's Army. But it is 'Allo 'Allo, where Herr Flick captures Rene and the rest of them for his own pleasure, the Fallen Madonna with the Big Boobies must be in there somewhere or as the BBC Genome puts it 'Unknown: Herr Flick'. Talking about unknowns, Jim Davidson turns up with the Generation Game after that. To link 'Allo 'Allo to the Generation Game, comedian Roger Kitter turns up with Bobby Crush and yes, its the second appearance of Brian Blessed on this day. No doubts in full Captain Hook costume and Jim's co-host Melanie Stace dressed as Peter Pan. Hmm, I don't know what to make of that, but hey Brian Blessed again!

Talking of men with beards, Noel and his House Party come onto the air at 7pm, the usual NTV and Gotcha shenanigans happen with interactive fun in Sofa Soccer, the likes of Steve Harper trying to save balls from a mechanical machine firing footballs at the behest of the viewers to win prizes. This was exciting, you know.. As usual someone turns up at the front door to carry on the illusion that they live in Crinkly Bottom with Noel, making it a strange comedy Stella Street or a dramatic Tickle on the Tum. If you were wishing your luck would change, Dale Winton brings the National Lottery draw to life with Drawmaster John Willan in full effect and to bring everyone back to earth is Rick Adams visiting another lottery winner. Lucky them, that's what I say.

After Rick Adams' horror comes Casualty, well you've got to have a Goose at Christmas and Claire Goose would be as good as any around the festive time of the year. But you can always rely on Charlie Fairhead like the passing of the seasons to come up with a festive quip as usual to make it all warm and cosy. But that's not cosy enough at all, The Vicar of Dibley has the true meaning of Christmas as well as cake. If that's sweet enough, be warned the programme of the evening may not be suitable for those of a nervous disposition. As Dale Winton has Winton's Wonderland, very similar to those festive entertainment specials of the past and look who turns up, its only Jimmy Tarbuck who's done so many of these types of programmes he's having flashbacks to that satellite link-up with the stars of Hart to Hart. Well, its almost like 'I remember something about Christmas and seem to have forgotten about it right at this moment..' as Barbara Windsor turns up with Jimmy Nail to make it more like 'A Krusty the Klown Christmas' than any other programme in the past twenty years.

So top off the evening is more news, Match of the Day, Michael Caine as Harry Palmer trying not to blow the doors off in 'Funeral in Berlin' and a repeat of Top of the Pops from the Friday night. A varied back for our first look back at how we built upto Christmasses past, so don't have nightmares about Rick Adams.

Boggen's Advent Calender (Day Three): Little Bill's Big Banana - When Oddie took on Edmonds

For today's door on the advent calender, we go back to 1978. So what's better then first off Bill Oddie larking about in a winter wonderland with the help of some special effects from Southern Television's box of tricks. 

Goodie grief...

Quite a few ITV regions in the late 1970's decided to let Southern go down the short bearded presenter route with Bill Oddie for Saturday mornings, to go up against Swap Shop and so the Saturday Banana is born and meaning that Mr Oddie is catapulted into the world of children's television where he looks ill at ease somewhat. Not really wanting to be there trying to hold the programme together and helped by Metal Mickey, before he went off to get his own series. Though thanks to Southern owning formats which they had brought, at least there was Runaround on a smaller scale and plenty of creature features.

Alas with most of ITV's attempts to stop Noel on the other side, the Banana didn't last that long, eventually with Tiswas taking over the whole country for ITV as ATV Land spread its wings. So for the third day, we bring you over eleven minutes of titles for the Saturday Banana not seen since its broadcast back in the late 1970's

Bananas, everywhere...

Boggen's Advent Calender (Day Two) - Oh no... It Shouldn't Have...

Christmas usually contains so many things, but the ever present has to be pantomime and over the years television has managed to tell these tales in so many different ways. Whether for children or all the family, it was pretty much what you could see in any theater over the festive season.

But good old television loves to do something special and it turns out the idea to such a length meaning the tights and dresses are donned by people usually to be found delivering us serious news all through the year. With one whiff of a mince pie and they are turned into hoofers who can hold their own with any of showbiz's royalty. Which leads us to Westward Television in 1981, on the 31st of December the company itself would disappear from screens but were they to leave a mark before they did. A whole twenty five minutes from the South West's finest lead to well know tales to be mixed upto into one panto, meaning Scrooge (played by Stuart Hutchison) met with Tweedledum and Tweedledee (both played by Peter Forde and Chris Fear respectively). 

Though if its the South West, then Judy Spiers is never that far behind at all. With Ms Spiers playing a Rag Doll, it seems Roger Shaw played to type though, the Chief Station announcer played a station announcer. Hopefully, he was dressed in a railway workers uniform, to least add that more surrealism. Not bad for a Christmas Eve at all, I think.

Hold on though, if Westward was offering their take on panto. then how about a review of the year via the medium of pantomime? Well, the Nationwide team thought this was worthy of an edition on the 19th of December 1977. So Sue Lawley dressed as Dorothy to take the Yellow Brick Road with help from Bob Wellings and Denis Healey. Yes, the Chancellor of the Exchequer appeared as the Wizard of Oz, though this became a regular thing for a couple of years but of course when David Dimbleby arrived all that type of stuff stopped. Quite right too, Mr Dimbleby as the Genie of the Lamp? No, I can't picture it either. 

Local news always loves a bit of thigh slapping action and as far as these two things combined, that Fern Britton was part of the cast during a 1988 performance of Cinderella at the Mayflower Theater taking the title role allowing her to read the news on TVS' Coast to Coast and then do a performance of the panto in the evening. Thus with that, the whole thing was turned into a story for the programme, though with Fern's theatrical background she could take to it like it was her day job. 

So just when you think its safe to switch on your television at Christmas, there might be a panto lurking there and feel safe that the One Show hasn't thought of that idea as of yet...



  

Boggen's Advent Calender (Day One) - Barbecued Turkey with all the Trimmings

As we start another advent season, so the advent calender is once again opened up for business hopefully not finding one of those nutty toffees in there. But Christmas television is usually in December, right? Yes, there is the jokes about repeats in July, even the Mike Yarwood 1978 Xmas Special was shown on Election night 1979. Though what about first run specials, surprisingly they don't appear when there's holly on the tree and the tinsel is flowing.

Well, our first out of season performer is Brian Conley who had his Christmas special shown on 22nd of July 1995. With a guest list of Gerry Marsden, Mike Pender, Shania Twain, Domino and John 'Four Square' Sachs to boot. The ITV management thought this was something jolly to show at that time, but July? I can think of nothing better then a warm mince pie and hot custard in the middle of a heatwave. Conley as a performer was at his peak and by 1997 Carlton gave him the chance to appear a bit nearer the time on 23rd of December, at least the show could touch the festival period rather then stretching to reach it with a elongated broom. 

Though the world of sitcom does not escape from this fact either, on the 27th of July 2000 BBC2 broadcast an even more out of place Christmas special, from the minds of Dominic Anciano and Ray Burdis came one of the most surreal Christmas specials ever. As part of the third series of Operation Good Guys, it is decided by D.I. Beach played by David Gillespie that because they have their own fly on the wall documentary, so thus the Good Guys should have their own Christmas Special as well. Leading to meetings with BBC executives Paul Jackson and Will Wyatt, a load of confiscated cocaine, an angry small actor called Kenny who has the tendency to bite people, a confused Michael Fish and a kidnapped Denise Van Outen who has to act like she is enjoying herself. Not to forget D.I. Beach's attempt at racial harmony as well.

"Merry Christmas from the BBC!"

But for all these specials come the likes of One Foot in the Algarve, Only Fools and Horses which their episode Miami Twice went on location and even Duty Free decided to book into the same hotel again in 1986, meaning seeing characters roasting under a blazing hot sun whilst in the real world the temperature would not barely climb high enough to warm a cold wet piece of cod. 

At least with the Australian soaps, meaning that Turkey on the beach is a regular thing for those Neighbours down Ramsey Street or with the residents down in Summer Bay for Home and Away. Well as the schedulers like everything to match in with each other nowadays, years ago it was not uncommon to see Christmas on Australian soaps in March or April, owing to the lagging behind by a couple of months from the actual Australian broadcasts. 

"Five Harold Bishops..."

So not always does television do its Christmas programmes in December, but yet they are done so they can feel as Christmassy as possible, no matter if the barbecue is cooking up a treat outside. Still at least it would remind us there are only another two hundred odd shopping days to go till the shops shut and that's a good thing isn't it?

The Victory Roll - The Rise, Fall and resurrection of Radio Victory

Mention the names 'Victory' and generally they will think of Lord Nelson's Flagship with a lot of Portsmuthian residents and radio enthusiasts they will think of it as the name of the radio station that brought commercial radio to the South Hampshire, West Sussex and the Isle of Wight in 1975.

Although with its studios in Fratton, Portsmouth and as the ILR franchise for the city itself. The actual reach of the station took in Southampton as well, making for a pan-Solent approach to programming to cover both cities in news, sport and music as well. With the spread of local radio both via the BBC and Commercially throughout the county, Victory itself was seen to be the competitor to Radio Solent which had started in 1970 finally bringing local radio to the South of England.

In both style and content BBC Radio Solent and ILR's Radio Victory were competing on the same territory, bringing a mixture of music, chat, sport and local personalities. Such with each of them employing staff and DJ's who would go to either station at one time or another. A prime example was Kenny Everett who syndicate a show to Radio Solent at the start of the 1970's, but by the mid-seventies was syndicating one to Radio Victory.

At the time of launch in October 1975, the station had a feeling of want to be part of the community it served and it was little wonder that Victory built up a very loyal audience against Solent and was even topping the BBC's national music stations with the emphasis towards including the community as part of its programming. In particular 'Radio Victory News' looked at all aspects affect local people from planning issues to more deeper debates into local politics. With the area at that time which it served including the Naval Dockyard, never did this come into more deeper focus than in 1982. With job cuts to the workforce at the Naval Base and also the Falklands War as well. So the station during the period of the conflict went to a twenty four hour operation to cover the latest news, keeping locals up to date with breaking stories all the time.

For all its entertainment, Radio Victory was not afraid to try new things in its schedule with 'Navy News' reflecting the city's maritime links, during the first week of broadcasting, presenter Eugene Fraser partook in a live daily reading of Charles Dickens’s Great Expectations. This showed the link between Dickens and the city of Portsmouth where he was born. Alongside high culture sat 'The Wibbly Wobbly Wireless Show' presented by children and aided by focussing on what they liked in their day to day lives, plus for older teenagers '7-teen' looked at the issues effecting them.

In Victory playing pop music, its output reflected all types of music including Country and Western, Rhythm and Blues, Heavy Metal and Rock as well as championing new music with these programmes becoming hugely popular, not least 'Folk-Us' with local artist Shep Woolly looking the local and national folk music scene on a weekly basis. For all this success, the station one by one dropped these programmes to become a pop music station to reflect what other Commercial radio stations were doing in the early to mid-eighties. With pop music being such a big part of the output, this meant that they had their own chart show called 'Victory Roll' based on the sales at the local Co-Op department store years before there was a commercial radio chart show of any kind.

Though for being commercially successful did mean that what Radio Victory had done so well in its early years had simply vanished leaving the new DJ's to come through and form new careers for themselves. But this left the station unpopular with the IBA, with one of the problems, the station serving two major cities where as most ILR contracts served one major town or city and its surrounding area. The problem of what to do had reared its head once again, the feeling was that the IBA thought that Radio Victory was somewhat ignoring Southampton, although Victory was the holder of the contract for Portsmouth and not the Solent area as a whole. Somewhat the West Sussex problem had been solved with the launch of Southern Sound in the early 80's, but in this period rather then keep Radio Victory in place and advertise for a new Southampton contract, it was decided that Victory would be stripped of its contract and have it handed to Ocean Sound who were given a bigger area including the city of Southampton to start in October 1986.

Though where as most people would think that would be the end of the Radio Victory name, but one major world event made the station reborn again.

In 1994, the city of Portsmouth became the major focal point for the commemorations for the 50^th anniversary of the D-Day landings and the city's 800^th birthday, the new station called Victory FM was set up by Mark Samways and Kevin Huffer to be able to cover these events with the city's then Lord Mayor Alex Bentley gave space in the city's civic offices to allowing the service to go on the air for a twenty-eight day restricted service licence. This sewed the seeds for the service to be broadcast over Christmas 1994 and in June 1995 for the 50^th anniversary of D-Day both times with RSL Licences.

The name Radio Victory was re-given to the service when it was broadcast on cable television and for temporary FM licences such as to cover the UK Special Olympics in Portsmouth, with the success each time, six further RSL licences were used between 1994 and 1998. When a new ILR franchise was issued to the Greater Portsmouth area, they won it and started to broadcast from September 1999. Though with the station was taken over by The Local Radio Company in late 1999, many of the original staff who had re-set the new permanent station having left the company meant there was a whole change in personalities at the start of the year 2000.

At the turn of the new millennium in not being able to grab a foothold against more established local rivals, meant that Victory re branded twice in a couple of years before Portsmouth Football Club took a major stake in the station allying it to the club itself allowing the station to have the financial support at that difficult time, but when the football faced financial problems themselves this meant that when the station was sold to Celador's radio arm who took the station and made into to the southern offshoot of its Breeze station combining with stations from Winchester, Southampton and Haselmere.

The name of Radio Victory may have gone from radio dials, but the spirit and enthusiasts will live on for a name which meant radio in the city of Portsmouth.